I create murals for businesses, mural societies, hospitals and clinics, schools, and for environmental and faith-based organizations.” -Janet Essley,
Since the 1850’s, Basque sheepherders have trailed their flocks in the area. The shepherds taught their time-honored recipe for a thick-crusted, tasty bread to Bob and Louisa Schoch, the owners of the Bishop Bakery. The original “Sheepherders’ Bread from the Pyrenees country was baked in brick ovens and lasted several weeks without spoiling. “I enjoy commissioned work for the unexpected artistic journeys and the new friendships to which they lead. Research for commissions has led me to study topics as diverse as traditional Coptic design and cellular physics. While painting outdoor murals I have watched the sun rise descend down the peaks of the Sierras, been scolded by Osprey, serenaded with Mexican ballads, and been honored with the stories evoked in passers-by. Collaboration with sponsors, site owners, and observers is a unique process that joins me to the community in new and exciting ways.
I create murals for businesses, mural societies, hospitals and clinics, schools, and for environmental and faith-based organizations.” -Janet Essley,
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Last Judgment, Ceiling Mural 1572-9: Giorgio Vasari / Vincenzo Borghini, / Federico Zuccari9/4/2023 When I was researching my post for Giorgio Vasari’s Birthday recently, I came across this interesting article on a ceiling mural collaboration by Giorgio Vasari, Vincenzo Borghini, and Federico Zuccari of the Last Judgement for Brunelleschi’s dome in the Florence cathedral, which had remained unfinished after Brunelleschi’s death in 1446. The walls of the dome, which should have been covered by resplendent gold according to Brunelleschi project, were whitewashed.(!) It was the Grand Duke Cosimo I de’ Medici who had the idea to paint the dome’s interior. In 1572, he commissioned Giorgio Vasari to paint frescoes on the dome of the Florence cathedral; Vasari was flanked by Vincenzo Borghini, who worked to the iconographic subjects and added other themes taken from Dante‘s Divine Comedy. VASARI’s LAYOUT The closest graphic text to follow was based on the mosaics in the Baptistery, divided into rows placed one on top of the other. As a great admirer of Michelangelo, Vasari also drew inspiration from thewww.florenceinferno.com/the-last-judgement-michelangelo/ Last Judgement in the Sistine Chapel. As a result, the dome (4,000 square meters) was divided into six concentric rows placed one above the other, inside of which were arranged groups of figures separate from each other due to the division of the dome into eight vertical segments. Giorgio Vasari's subjects were carefully matched up along the the dividing lines of rows and segments so that the theological pattern could be followed vertically and horizontally. Starting from the false central lantern at the top of the dome, surrounded by 24 venerable old men from the Apocalypse, each segment is decorated with the four following themes: an angelic chorus with the instruments of the Passion, a series of Saints and Elect, a triad of figures representing a Gift from the Holy Ghost, and a region of Hell dominated by deadly Sin. In the eastern segment, opposite the central nave, the four themes become three to make space for the great Christ in Glory placed between the Madonna and St. John above the three Theological Virtues (Faith, Hope, and Charity), and followed under by the allegorical figures of Time and the Triumphant Church. ZUCCARI’s LAYOUT Vasari died on June 27, 1574, two months after the death of Cosimo I, when he had carried out only one third of the work. Although he had not completed the drawings for the four segments of the cupola and some sketches for the scenes of Hell, the new Grand Duke Francesco I de’ Medici called upon Federico Zuccari, an artist from Urbino, to complete the work. Work on the frescoes started again on August 30, 1576. Zuccari, well known in Roman circles, didn’t like Vasari’s style and tried as much as he could to affirm his own originality. He stopped using Vasari’s method of “fresco” painting, preferring the “dry” or secco method, which was simpler but more perishable, and he changed the physiques of the painted characters, the costumes, the stylistic language, and the color range. He boycotted the executive delicacy of Vasari, made of subtle color changes, reflections, polished descriptions of ornaments, which are difficult to pick out at such a distance, opting for a painting method that was weak in quality but of great effect, a technique he learned to use for theatrical backdrops. He portrayed a lively gallery of contemporary personalities among the Elect: his Medici patrons, the Emperor, the King of France, Vasari, Borghini, Giambologna, other artists, and even himself as well as many of his friends and relatives. As for the Christ in Glory, for which Vasari had left drawings inspired by Michelangelo’s Sistine Chapel, Zuccari preferred to follow the models used by Raffaello (Raphael), which were more in harmony with the sanctimonious rulings of the Council. However, his masterpiece in the cupola will always be his crude rendering of Hell, with its powerful devils inspired by Luca Signorelli’s frescoes in the cathedral of Orvieto, the shameless bodies of the damned, the violent gestures, and the red glow of blood that vividly brings out the dark colors of the composition to life. When he finally completed the frescoes in 1579, having also carried out several other interventions and changes on the parts painted by Vasari, Zuccari celebrated the event by preparing a commemorative medallion. However, this did not spare him from the criticism of the Florentines. The frescoes in the Cupola have never been popular in the city if compared with their counterparts in the interior of the cathedral: they are extremely difficult to look at because they are so removed from the viewer, placed in a dark spherical vault, and they have become increasingly obscured over the centuries by dirt. However, these frescoes were scrupulously restored between 1978 and 1985, and it is now possible to re-evaluate them and appreciate the power of the cycle and its importance in Florentine art history. This enormous space allows for an interesting comparison between two different ways of interpreting art rather than an antagonism between two painters: on the one hand we have Vasari, a “conservative” painter and follower of a Tuscan tradition that had been passed down directly from the Middle Ages; on the other, Zuccari, who “imported” the methods of the Roman painter-contractors to Florence, which were based on a poor executive quality but a grandiose final effect. Articles from: Florence Inferno Florence Inferno is a blog about the Florentine mysteries, symbols, and places that are mentioned in Dan Brown’s novel Inferno, And:
So I’m out in the neighborhood and I see this cool mural at the Porticos Art Space, 2033 E. Washington Blvd., Pasadena, CA Arroyo Repertory Theatre unveiled its new mural at Porticos Art Space, 2033 E. Washington Ave., Pasadena, CA on September 25, 2021. Pasadena-born artist Ian Schuler painted the mural. The mural includes depictions of performing singers as well as roses and peacocks (for which the area is well-known). "I like what Ian did with the awning!" -RQ
About Us: The Bishop Mural Society was incorporated in 1997 to display our heritage in a spectacular outdoor art gallery surrounded by natural beauty. In its first ten years, founders Barbara and David Williams, Dan Wells and John Knowlton established Bishop as a mural destination by producing professional, historically accurate, visually and artistically excellent quality murals. Fifteen colorful mural sites showcase the fascinating history of the Owens Valley on buildings throughout the city. Bishop Mural Society is a founding member of the California Public Art and Mural Society, which held their Public Art Symposium here in 2005. Our most recent achievement is a ten by fifteen foot natural history mural of 421 sculpted ceramic tiles and mosaic, created by 216 community members. Our Mission: We produce and maintain high quality public art specializing in events and characters of historical significance to the local community. We partner with local businesses, organizations and artists to nurture a healthy local economy. Bishop Murals
The Bishop Mural Society has produced 15 public murals throughout the City of Bishop. (Map Published on June 8, 2015) Winsor & Newton, the London based manufacturer of artist’s materials, is in partnership with the mental health charity Hospital Rooms to transform mental health treatment spaces by commissioning artists to create murals, providing patients a welcoming and dignified environment. "This is a program very dear to my heart as my decision to become a muralist, back in the early 80’s when I was a Respiratory Therapist and a Hyperbaric Technician working with burn patients and the chronically ill, was to be able to create a positive and uplifting environment for people to enjoy and to thrive in. I am happy to feature Ms. Broom’s mural work and her collaboration with Hospital Rooms." -Roberto Quintana We (Winsor & Newton) are delighted to announce an expansion in our partnership with the mental health charity Hospital Rooms. The aim of Hospital Rooms is to provide people being treated for mental health issues with a welcoming and dignified space by commissioning global artists to install artwork on the wards. In sponsoring artist Orlanda Broom, we can support her creative journey making work for Rosebud Ward at Kent and Medway NHS and Social Care Partnership Trust. Founders of Hospital Rooms, curator Niamh White and artist Tim A. Shaw, built the organization based on personal experience. They visited a good friend who was an in-patient on a mental health ward and came away struck by the lack of care given to the surroundings. They knew they had the skills and community to be able to transform these spaces with high-quality artworks. And they believed in the power of art to connect people. Thus, Hospital Rooms was born. We join many prestigious partners who have been working to help Hospital Rooms expand their capacity to help people. Currently, the charity is working across the UK and has inspired a pilot project in Lagos, Nigeria. It is a tremendous privilege to join Hospital Rooms and contribute in a small way as they work with service users and staff to alleviate the challenges faced by people with mental health issues. Working alongside them allows us an insight into how artists work and how they interpret the world. And it gives us a way of understanding how artists re-interpret their work to thoughtfully adapt to important community projects. Featured Artist: Orlanda Broom https://www.winsornewton.com/na/articles/artists/featured-artist-orlanda-broom/ Orlanda Broom creates paintings in two distinct styles: lush and floral landscapes, and fluid and abstract works. What connects these two bodies of work is her use of colour, organic forms and exploration of painting mediums. Orlanda earned an MA in Fine Art from Winchester School of Art in 1997 while studying in Barcelona. She has lived in Portugal and London and now works from her studio in Hampshire. ![]() Orlanda's landscapes portray reimagined places that are vibrant, colourful and full of life. Her abstract paintings, created in the spirit of abstract expressionism, are made intuitively with resin and allow chance to play a role in forming the composition. Notably, Orlanda has completed large-scale commissions including a 4x4m piece for the lobby of the new Four Seasons Downtown New York and a large abstract work for the Mandarin Oriental in London. She is also involved with the mental health charity, Hospital Rooms. This just in from the Department of Cultural Affairs, City of Los Angeles! DCA invites LA-County-based muralists to submit ideas for new, socially-engaged mural projects. Mural Works is a pilot program that seeks to commission works centered on social justice, important cultural figures, or histories relating to a specific neighborhood while supporting the advancement of young apprentices in the trade. Muralists and muralist teams who are interested in creating social justice-themed murals and working with youth are encouraged to apply. Project budgets for this Request for Ideas (RFI) range from $10,000 to $25,000 based on the total square footage of the identified wall. The strongest applications will be shortlisted and advanced to the Request for Proposal phase. The shortlisted artists will receive a $500 stipend to develop their proposal concepts further. DCA will reward commissions for up to 20 murals. To learn more about the application criteria, the youth workers component, eligibility, the selection process, and how to submit an application, please visit: culturela.org/calls. The deadline to apply is Wednesday, September 6, 2023 at 11:59 p.m. Arts organizations! - apply now for grants supporting free and low-cost arts activities and projects, festivals, and parades that will take place between July 1, 2024, and June 30, 2025. Emerging, small, mid-sized, and large organizations may apply now through September 8, 2023.
Application webinars and workshops will be held starting Thursday, August 3, 2023. CONTACT Grants Division Email: dca.grants@lacity.org ![]() Happy Birthday Giorgio Vasari! The painter, architect, collector, and influential author was born on this day (July 30) in 1511 in Arezzo. A successful painter and architect in the service of Grand Duke Cosimo I de’Medici, Vasari is best known today for his Lives of the Artists, a collection of biographies from Cimabue through his autobiography. Published in two editions (1550/1568), the text has had a profound impact on the development of connoisseurship, art history, and Italian Renaissance studies. “I have represented the lord Duke Cosimo triumphant and glorious, crowned by the personification of Florence with an oak wreath” -Vasari The centre of the entire ceiling’s decorations is Cosimo I de’ Medici: the Duke is wearing a purple cloak, is seen sitting on the clouds and is accompanied by the Ducal crown, the cross belonging to the order of Saint Stephen and finally the Golden Fleece (received from the Emperor in 1545). Surrounding him are the symbols of the city and the insignia of the Florentine Arts. Photo: Simone Lampredi For more on Vasari, see: Julian Kliemann and Antonio Manno. “Vasari.” Grove Art Online. Oxford Art Online. Oxford University Press. Web. [http://www.oxfordartonline.com/subscriber/article/grove/art/T088022pg1]. An Equestrian Monument for Giorgio Vasari In collaboration with Paradise for Artists of Pasadena, California, the cultural association Paradise for Artists of Arezzo presents the sixth appointment of a program of events and collective exhibitions to support the project: "An equestrian monument for Giorgio Vasari on tour in America and in Italy" and raise funds to dedicate a bronze statue to Giorgio Vasari, the father of art history, the first art historian. PARADISE FOR ARTISTS INC is a 501(c)(3) Nonprofit Corporation, Federal tax ID# 87-0978724 Your donation is tax-deductible to the extent allowed by law. Our goal is to create an Equestrian Monument for
the Father of Art History and the First Art Historian GIORGIO VASARI For any further information please contact the number (+39) 338 6005593 or write to the following emails: info@paradiseforartists.org . www.ParadiseforArtists.org www.GiorgioVasari.org “For myself, I aim for an art which would be in immediate connection with daily life which could start from our daily life and which would be a very direct and very sincere expression of our real life and real moods.” -Keith Haring Though Keith Haring’s murals can be found around the world, his work for the Belgian Channel Surf Club in Knokke is certainly a standout piece. By invitation of Roger Nellens in 1987, Haring arrived in Knokke to continue the legacy of the Nellens family — as his father is the man to have commissioned René Magritte’s The Enchanted Domain in the nearby casino. Painted in a single day Keith Haring’s mural depicts the swimmers present in the rising tides, crashing through waves and advancing towards a grotesque but humorous sea monster that aims to consume them. With his characteristic pop-art figures and comic-book-like language, Haring’s impression on the seaside town cemented an artistic legacy lasting far longer than the tragically short life of the artist. “One of the things I have been most interested in is the role of chance in situations–letting things happen by themselves. My drawings are never preplanned. I never sketch a plan for a drawing, even for huge wall murals. My early drawings, which were always abstract, were filled with references to images, but never had specific images. They are more like automatic writing or gestural abstraction.” -Keith Haring Current Exhibitions One Person Exhibitions Keith Haring: Art is for Everybody The Broad, Los Angeles, CA May 27 – October 8, 2023 Visit Website Keith Haring: Amsterdam Notes May 26 – November 5, 2023 Stedelijk Museum, Amsterdam Visit website Keith Haring: Against All Odds April 15 – September 24, 2023 Akron Art Museum Visit website Keith Haring has murals all around the world, check out the map/link to find his work near you. https://www.haring.com/!/archives/murals-map The murals map is temporarily unavailable. -However- There are images and information about the murals that Keith Haring made around the world. Enjoy! Beatriz de la Fuente Teotihuacán Murals Museum San Martín Centro, Mexico Excerpts from an article on Atlas Obscura at: https://www.atlasobscura.com/places/beatriz-de-la-fuente-teotihuacan-murals-museum The pigments used to color Teotihuacán murals were sourced mostly from semi precious stones and earth; hematite produced a startlingly bright red, malachite an emerald green, and azurite a deep blue. ELABORATE MURALS ONCE TATTOOED THE walls of thousands of residential complexes across ancient Teotihuacán. Today, many of them live in an unassuming museum within the archaeological site: The Beatriz de la Fuente Teotihuacán Murals Museum. Named after Mexican art historian Beatriz Ramírez de la Fuente, the museum houses over fifty millennia-old murals along with several artifacts recovered from on-site temples and palaces. The museum consists of nine main rooms, each with its own thematic focus, spanning space and time. Within the murals, the real and the fantastical merge; a feline donning a feathered headdress sticks out a forked tongue and magnificent birds release fountains of water from their beaks. Human-like figures appear throughout the museum, too, some mortal and others deities. The passage of time, closely linked with astronomical observation, is a recurring theme across murals and artifacts throughout the museum. A small monolith believed to have been used to keep track of time and solstices can be found toward the center of the museum. Two ceramic jars, along with eighteen obsidian blades and a human femur, found in an astronomical observation cavern are also on display. Wall Mural of Jaguar, Palace of Tetitla, Teotihuacan Archaeological Zone, UNESCO World Heritage Site, State of Mexico, Mexico, North America Know Before You Go The museum is open to the public Tuesday through Sunday from 8 a.m. to 5 p.m. The fee for general admission, which includes entrance to the archaeological zone, is 80 pesos. Here’s a really good 'Old-School Sign-Painter' guy in Virginia, still hand-lettering in the modern world! Melding Traditional Sign Painting and Computer Skills Rodney Vicik’s skills were developed through years of continuing education and a desire for excellence. As important as these hand skills are, they are not the only things that make his signs extraordinary. Having learned the trade of sign painting just at the brink when computerized sign-making equipment was entering the marketplace, Rodney is competent using both mediums, old-school sign painting and computer technologies, in the production of his signs. (from his website) “I am the owner of Red Rocket Signs located in Hampton, VA. We are the "go to" shop for hand lettering and gold leaf in our area. Our niche is boat lettering, but we also do a variety of commercial sign work with an emphasis on good design. My interest in hand lettering has led to an extensive collection of sign and lettering books dating back to the late 1800s and into the early 1900s when sign painting was an art form." "Though I prefer the old method of using pencils and brushes, I am also proficient at digitizing hand drawn artwork into computer files. In today’s world, most designs will eventually need to be reproduced digitally. Another by-product of my melding of traditional sign painting and computer skills has been the conversion of hand drawn alphabets into complete fonts that can be installed onto any computer. These are available for purchase in the 'Retro Fonts' section of my website.” -Rodney Vicik Here’s a peek into Rodney’s brush-box! "I’m a real ‘brush-freak’ and I love seeing
what goes on behind the scenes. Meanwhile...while your here, check out this link to some of my signs, totems and super-graphics.” -Roberto http://www.artandsoulproductions.com/signs-totems--super-graphics.html "I'm back from my trip to Baltimore, and it looks like I got out of Dodge just in time! It's a beautiful city with lots of great murals and art museums and historical architecture. Stay positive, curb your guns and be kind to others. Here is part 4b of my Faux Finishes Blog posts. scroll back through the blog for earlier posts on Faux Finishes (and much more) or search the Blog by category" -RQ Here is another one of my favorite books from my library... Modeled on the successful Surfaces (1996) book, this stunning collection of photographs catalogs how hundreds of varieties of textiles, grouped by structure and surface treatment, look up close and in interior and exterior applications such as window treatments, upholstery, awnings, tents, and floor coverings. The book is tailored to research needs in scope and focus, offering examples for architects, interior designers, textile professionals, theatrical and film designers, illustrators, and graphic designers. Interviews with professionals describe how they use visual research in their work. 1,200 high-quality color images
of traditional and innovative textiles, in print and on CD-ROM I'll be out of town for a few weeks so here's something to keep you all occupied till I return. My recent exhibition went very well... but Accounts Receivable is whining that the show didn't sell out, as everyone here at Art n Soul Productions expected (except me!). Both Marketing and many of the folks in Accounting think I should start accepting NFT's! Legal is still skeptical, which has peeked my interest... but I'm really not convinced yet. -RQ I don’t know very much about this stuff…
but I usually prefer my tokens to be fungible. -RQ This Guy has it all ’splained out. but it's VERY long! But well worth the time investment. (NFT’s start at around 39 minutes) https://www.youtube.com/watch?v=YQ_xWvX1n9g _______________ Plus a few bonus links for all those interested in NFT’s and art: https://amycastor.com/2021/03/14/metakovan-the-mystery-beeple-art-buyer-and-his-nft-defi-scheme/ And… http://gurneyjourney.blogspot.com/2021/03/early-thoughts-on-nfts.html Mindscapes: New Paintings |
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