These paintings emerge from the studio's high-energy
'Imagination Accentuator', as a result of the collisions
between highly energized pigmented-particles
in a creative environment.
The paintings are not images of the actual process of painting
but rather evidence of the creative event,
as recorded on the canvas, by the interactions
of the painting instruments with the pigmented medium,
over a period of time-in-space.
The resulting record(s) of the spontaneous creative event(s)
can be interpreted as a symbolic representation
of a specific and actual process
occurring in a separate, or embedded reality.
The actual events exist as both conceptual/waves
and as pigmented/particles!
'Imagination Accentuator', as a result of the collisions
between highly energized pigmented-particles
in a creative environment.
The paintings are not images of the actual process of painting
but rather evidence of the creative event,
as recorded on the canvas, by the interactions
of the painting instruments with the pigmented medium,
over a period of time-in-space.
The resulting record(s) of the spontaneous creative event(s)
can be interpreted as a symbolic representation
of a specific and actual process
occurring in a separate, or embedded reality.
The actual events exist as both conceptual/waves
and as pigmented/particles!
"The most interesting aspect of this process is that
while the fundamental elements are finite--
limited to only three primary elements,
plus their collective positive and subtractive negative--
the resulting variations are (potentially) infinite!
It should also be noted that while all of the preconditions
are essentially the same for all of the observable events,
a condition approaching 'Tabu-la Raza'.
The resulting variations are highly correlated
with the intentions of the technician;
while the aesthetic response is literally
in the eye of the observer." -Roberto Quintana
while the fundamental elements are finite--
limited to only three primary elements,
plus their collective positive and subtractive negative--
the resulting variations are (potentially) infinite!
It should also be noted that while all of the preconditions
are essentially the same for all of the observable events,
a condition approaching 'Tabu-la Raza'.
The resulting variations are highly correlated
with the intentions of the technician;
while the aesthetic response is literally
in the eye of the observer." -Roberto Quintana
As seen at:
The Pasadena Antique Warehouse Gallery
1609 E Washington Blvd
Pasadena, CA 91104-2747
Mindscapes
New Paintings and Retrospective
by Roberto Quintana WFA
The Pasadena Antique Warehouse Gallery
1609 E Washington Blvd
Pasadena, CA 91104-2747
Mindscapes
New Paintings and Retrospective
by Roberto Quintana WFA
'QnTm/Fm=207'
acrylic on canvas, 14" x 18"
acrylic on canvas, 14" x 18"
'QnTm/Fm=212' SOLD
acrylic on canvas, 14" x 18"
acrylic on canvas, 14" x 18"
'QnTm/Fm=215' SOLD
acrylic on canvas, 14" x 18"
acrylic on canvas, 14" x 18"
QnTm/FM=2045 SOLD
acrylic on canvas, 9" x12"
'QnTm/Fm=220'
acrylic on canvas, 14" x 18"
acrylic on canvas, 14" x 18"
'QnTm/Fm=182' SOLD
acrylic on canvas, 11" x 14"
'QnTm/Fm=224' SOLD
acrylic on canvas, 14" x 18"
acrylic on canvas, 14" x 18"
'QnTm/Fm=230' SOLD
acrylic on canvas, 14" x 18"
acrylic on canvas, 14" x 18"
'QnTm/Fm=2058'
acrylic on canvas, 9" x12"
acrylic on canvas, 9" x12"
'QnTm/Fm=237' SOLD
acrylic on canvas, 14" x 18"
acrylic on canvas, 14" x 18"
'QnTm/Fm=2067'
acrylic on canvas, 9" x12"
'QnTm/Fm=2068'
acrylics on canvas, 9" x12"
Original Paintings (not marked as 'SOLD') may be purchased.
All paintings are available as giclee-prints.
*see prices below
Contact the artist for details.
Pricing:
(original signed painting on canvas)
8" X 10" = $450.00*
9" X 12" = $500.00*
11" X 14" = $550.00*
12" X 16" = $600.00*
14" X 18" = $650.00*
*Plus handling and shipping
Original paintings may be commissioned for $1,200.00.
All paintings are available as signed, limited edition, giclee prints
starting at $400.00
(price depending on size
plus shipping and handling)
Please contact the studio for details.