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21 Murals for Uvalde, Texas

8/5/2024

2 Comments

 

“Art Saves Lives!”

“Well, sadly, not in this case…
But these murals not only serve as a remembrance of the many innocent victims of
the Robb Elementary School Shooting in Uvalde, Texas,
but they give witness to the people and places impacted by gun violence all across the United States.
I was going to post this in a series of blogs and stretch this important topic out over several months.
After all, 21 murals and nearly 27 artists
is a lot to digest all at once!

​However...
the impact of 21 senselessly lost lives is too horrible
to be diluted over several posts.

They were all taken in 77 minutes!
So here they are, all together!


I am dedicating this post to all of our
Legislators and Representatives,
and especially to our
’Supreme’ Court Justices
and their recent cowardly and shameful ruling
on 'bump'-stock gun legislation.”

-Roberto Quintana
​
In Remembrance of
the Robb Elementary School
​Shooting Victims
​

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“I know that art heals, that art can calm,
that art can point us in a positive direction.”
-Abel Ortiz


The idea for the 21 portrait murals came from Uvalde resident Abel Ortiz, an artist, art professor at Southwest Texas Junior College, and founder of  Art Lab, a local art space. 

“I thought it was going to be one mural,”…
“No, you know what? I’m thinking twenty-one murals!
It needs to be monumental!
It needs to be across town,
​and not just in one place.

And so, the idea was born.” -Abel Ortiz
​
​At the same time, future collaborators,
psychologist and art collector Dr. George Meza 
and Monica Maldonado, founder of MAS Cultura,
were thinking about how art could benefit the community. 


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Before the portrait murals, Maldonado had worked with artists to complete three “Uvalde Strong” murals.
Soon after, Maldonado and Ortiz were connected and Maldonado joined as Project Manager.
Dr. Meza and Abel were already in contact and the three joined forces on the mural effort.

Dr. Meza spearheaded their fundraising efforts to raise more than $30,000 through his Facebook group "Collectors of Chicano/Latinx Art and Allies."
Together the trio made the idea of 21 portrait murals a reality and actualized the Healing Uvalde Mural project.

“…I kind of knew, you know, we needed to get people on their feet on the ground doing something very concrete and specific and that was going to be the murals, and that’s why I called them the ‘healing murals’ because with trauma there are many pathways to healing.” -Dr. George Meza
​
​Mural Project Remembers Uvalde’s Lost Lives
 
by Tiffany Hearsey May 23, 2024

UVALDE, Texas — Heavy rains blanketed the small town of Uvalde, Texas, the night of the horrific mass shooting at Robb Elementary School. Uvalde resident Abel Ortiz recalled of the downpour, “it’s almost like the heavens opened up and all the tears came down.” On the morning of May 24, 2022, a gunman entered the school, killing 19 children and two teachers and injuring 17 others. Ortiz, an artist, and art professor at Southwest Texas Junior College, wanted to do something to help the families and community. Drawing on his artistic background, he spearheaded the Healing Uvalde Mural Project, a series of portraits of the victims displayed across buildings in downtown Uvalde. The murals, he explained, “were intended to provide comfort for the families,” and offer “a sense of calm, a sense of reflection.” They not only serve as a remembrance of the victims, but bear witness to the people and places impacted by gun violence in Uvalde and across the United States. Ortiz surmised, “the community can respond to the mural, to the image, reflect, contemplate, and think about possible changes. The lives of the children and teachers honored in the Healing Uvalde Mural Project were neither the first casualties of gun violence nor the last. According to the Centers for Disease Control (CDC), gun violence is the leading cause of death among children and teens. Ortiz said, “If there’s any art that I wish didn’t exist, [it] is this art, because that means the kids would be alive.” 
Ortiz partnered with Monica Maldonado, founder of Austin-based nonprofit MAS Cultura​, who acted as program manager. She brought 50 Texan artists to Uvalde in the months following the shooting to paint the 21 murals, all volunteering their time and services, free of charge. The families of the victims gave their permission for the project, and many participated in the creation of the murals of their loved ones. Each image tells a story about one life — the person’s hobbies, hopes, and dreams, and the family and friends they loved and who loved them — through re-creations of the children’s drawings, ranging from rainbows and cartoon characters to sea creatures and puppies, signifying dreams of becoming a marine biologist or veterinarian, to lyrics of favorite songs, among other tributes. 
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Tess Marie Mata
​ age: 10
Mural by Anat Ronen

“In the bracelet, there was a little butterfly charm that didn’t really register as such in the original reference. While I was painting, I asked Veronica if there’s something else that might be more important, more meaningful, that I could replace it with. She said, yes, actually there’s this heart charm her grandmother gifted her and let’s see if you can integrate that...And the next day I put it in...It's the little things that mean a lot at the end.” -Anat Ronen
​
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Xavier James Lopez
​
age:10

Mural by Amado Castillo III

“When Felicia (Xavier’s mom) sent me pictures, I noticed that he was always wearing a shirt of the bear, so I asked the mom about the bear t-shirts. And she said, “Oh, man, they were his favorite... I would buy them at DD’s Discount fashion store and he would wear those until they were faded." -Monica Maldonado
​
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Annabell Guadalupe Rodriguez age: 10
Mural by Joey “WiseOne” Martinez

“Annabell was an honor roll student and she took a lot of pride in that. She took school seriously, it was an important part of her life that defined who she was. She loved animals and would rescue them. Her hopes and dreams were to become a veterinarian.” -Monica Maldonado
​
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“You can feel the hurt in that community,” artist Joey Martinez reflected when he first came to Uvalde to paint Annabell Guadalupe Rodriguez’s mural. “I think it was really important to be there for everybody,” he said. With guidance from Annabell’s family, Martinez included a Uvalde Coyotes logo and a sketch of an A+, a nod to her honor roll credentials — aspects of the 10-year-old’s personality in which loved ones and visitors alike can share. The mural also contains a cell phone with the text “I love you,” which she and her best friend, 10-year-old Xavier James Lopez, would send to each other each night before bedtime. Xavier was also killed in the shooting and his mural sits right next to Annabell’s, their close bond solidified in art. Their union was also honored in death, when the two families buried the children next to each other.
​

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Makenna Lee Elrod
​ age: 10
Mural by Silvia "Silvy" Ochoa and
​Courtney Jimenez / Courtney Arte


“Murals,” artist Silvia “Silvy” Ochoa said, “are beautiful tools to communicate.” She added, “They can make you feel, can help you remember.” Ochoa’s painting of 10-year-old Makenna Lee Elrod is an array of positive memories and symbolic imagery that aims to heal the traumatic memories surrounding her death. “Trauma” comes from the Greek word meaning “piercing” or “wounding.” Through art, a mending of the wounds can occur. Ochoa’s mural depicts Makenna in the bucolic farm where she grew up, surrounded by three butterflies that represent her and her parents, and four trees that symbolize her and her siblings. But it’s the rainbow adorning her shirt that stands out. Makenna’s parents gave Ochoa a photo of their daughter holding a rock with a rainbow she had painted on its surface. Ochoa wanted to include the rainbow on the mural and place it on her chest, and invited each member of Makenna’s family to paint the rainbow. After the portrait was completed, the family shared with Ochoa that Makenna had been shot in the chest. “That’s where she lost her life,” Ochoa told me through tears. “Her family gave her life on the mural in the same place.”
​
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Layla Marie Salazar
​
age: 11

Mural by Alvaro Deko Zermeño

Alvaro Deko Zermeño’s Artist Statement:
There are no words to describe the level of pain that Uvalde has gone through so being able to use art to try and bring even the smallest bit of comfort to the families, to the community was worth every minute in the sun. It was an honor to meet the Salazar family and hear about Layla.  
Layla was energetic and quick to entertain her family and friends. She loved track and because of her drive and focus, she was one of the fastest in her class.   
The mural took 5 days to complete and there were times that it was difficult to look at her photo, knowing that the mural would barely scratch the surface of who she was.   
On Día de los Muertos, we find ourselves at a point where grief and celebration meet. I hope that the families and the city of Uvalde know that we stand beside them and that their children will never be forgotten.  
​
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Jose Manuel Flores Jr.
​
age: 10

Mural by Albert “Tino” Ortega
​

“Jose had a big heart and lots of love for the game of baseball. I did the stars coming out from his chest so the stars that are on each side of him, they pretty much call us back to where his heart is, just to signify his love for the game.” -Tino Ortega

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Eliahna Cruz Torres
age: 10

Mural by Filiberto Mendieta
​
Assisted by Nikki Diaz

​
“It was her first year playing softball. 
She was a natural athlete and didn’t even know it...Once she started playing, she became obsessed with the sport and practiced every day. The day of the tragedy Eliahna would’ve found out that she made the All-Star team... Also, there is a cat at the bottom...the cat’s name is Dexter and when Eliahna passed away, he didn’t leave her room for two weeks, he waited for her.”  -Monica Maldonado
​
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Uziyah Sergio Garcia
​
age: 10

Mural by Richard Samuel

Richard Samuel’s Artist Statement:
My Brother
I'm not even sure where to start. The emotion and experience that comes with being a part of a project like Healing Uvalde is life-changing. It’s an opportunity I dropped everything for. I was perfectly matched up to paint Uziyah. A beautiful soul whom I had so much in common with. I learned we both love spiderman, and gaming, are very athletic, love sports, and express unwavering loyalty and love to our loved ones. It was almost as if we were one in a parallel universe. Meeting Uziyah's family, hearing their beautiful memories, and also reconnections through dreams provided me with all the inspiration possible to complete the mural. The amount of appreciation the town of Uvalde had for this project is mind-blowing. Literally, every 5 minutes painting, another car passed by thanking us, asking if we needed water or food. Some cried, some smiled, and some shared beautiful stories. By the time I was ready to leave Uvalde, I realized that this is the best thing I've ever done in my life.  I hope my little brothers in heaven welcomed him with open arms because he's one with us. Gone but never forgotten.
​
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Jayce Carmelo Luevanos
​
age: 10

Mural by Ruben Esquivel
​
Ruben Esquivel’s Artist Statement:
Jayce Luevanos loved dinosaurs and ninjas. His favorite colors were blue and green and he loved making coffee for his family in the mornings. Jayce would write love letters for his loved ones and sign them with “I love you!”  
It was important to me that his family be part of the process and felt included in the mural. I reached out and asked to be connected directly with the family. We had a few phone calls and talked about things that Jayce loved, his family shared some memories and together we began conceptualizing the design. The month leading up to my arrival in Uvalde was nerve-racking. When the time came, I was nervous to finally meet Jayce’s family but they greeted me with open arms and with no hesitation and treated me as one of their own. We were family. His siblings were eager to assist me and helped me paint parts of the mural; After all, this piece is as much theirs as it is mine.   
The outpouring support from Jayce’s family and the entire community was humbling and unlike anything I have ever experienced. Jayce’s family would spend every evening and sometimes into the early hours of the morning with me, watching me paint as I poured my heart and soul into his mural. I wanted to create a space where Jayce’s friends, family and even strangers could come to spend time with him, see him, talk to him, and feel his presence. A place for healing. I wanted his family to be able to come see that sweet sparkle in his eye whenever they needed to.
​
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Jacklyn “Jackie” Jaylen Cazares age: 9
Mural by Kimie Flores

“Javier [Jackie’s father] really wanted the Eiffel Tower.
​... At that point, we didn’t even have the Eiffel Tower on the mural and originally didn’t understand the importance of it.  Then one day I was invited to the family’s home and when Javier opened the door to her bedroom all I could see was the Eiffel Tower everywhere. She had the Eiffel Tower on her bedspread, Eiffel Tower paintings, and an Eiffel Tower jewelry holder. Her dream was to go to Paris to the Eiffel Tower. ... I called Kimie and said we have to add the Eiffel Tower to the mural”
-Monica Maldonado
​
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Maranda Gail Mathis
​
age: 11

Mural By Luis Angulo

Luis Angulo’s Artist Statement:
“Maranda is described as a shy kid who liked being in nature, picking-up river rocks and feathers. I received a picture of Miranda standing in a creek facing the camera. Her arms are outstretched as she shows the camera the river rocks she found. I took this image and added more elements to it, trying to imagine a place that Maranda would have liked to explore. In her hands instead of river rocks, she has an Amethyst crystal, her mom's birthstone. In the water are eleven Koi fish, the same age Maranda was at the time of her passing.”
​
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Alexandria “Lexi” Aniyah Rubio age: 10
Mural by Ruben Esquivel
​
and Carmen Rangel

​
Artist Statement:
We wanted to portray the most authentic Lexi, so we reached out to those that know her best, her family. We learned that Lexi loved sunflowers and butterflies, she was a proud Libra and force to be reckoned with. Like her mother, she dreamt of attending St. Mary’s University and of one day becoming a lawyer. She played basketball and softball and had a fondness for math. Lexi and her five siblings were like peas in a pod. All of this is illustrated in Lexis larger than life mural in Uvalde, Texas.   
​
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Alithia Haven Ramirez  
​age: 10

Mural by Juan Velásquez
Assisted by Sarah Ayala

​
Juan Velázquez’s Artist Statement:
Me and @sarahrayala [Sarah Ayala] got to meet Alithia Ramirez's dad and for me it was the most emotional part of the trip, I didn’t know what to say so I just told him “I’m so sorry” He liked the mural and specially that one of the characters we painted on her shirt was from a Father’s Day card she made for him. He said she wanted to be an artist and now her art (the characters on her shirt) are in a mural.
​
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Eliahna “Ellie” Amyah Garcia age: 9
Mural by Abel Ortiz

"Because she won the basketball championship the Saturday before, so I decided to make it into a sports card design and at the bottom, it says “all-star”...She does have the number 21 on her jersey. That was her actual number, twenty-one, that was her mom’s birthday and that’s why she chose that number when she was in the basketball team." -Abel Ortiz
​
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Rojelio Fernandez Torres
​
age: 10

Mural by Floyd Mendoza
​and Jesse de Leon


Floyd Mendoza’s Artist Statement:
I had only known Jesse de Leon for about a week when we found ourselves in front of a blank wall in Uvalde. Our plan was for Jesse to cover the characters, while I tackled the portrait. To my surprise, Rogelio’s family was so hospitable. My first memory I have of Rogelio’s mother, Evadulia and her sisters was them unloading a cooler of water for us. However, it wasn't until I wrapped up Rogelio’s facial features that I began to see the family open up. In which Evadulia stated “it's like he's standing in front of me.” As we made progress on the wall, it was as though this family was healing before our very eyes. They went from being quiet that morning, to laughing and playing music that same night. I was amazed at how this family was so united and close throughout this project. I’m super honored to have been able to contribute to this project.

Jesse de Leon’s Artist Statement:
To have the privilege to use my gift and passion for this Uvalde project, was humbling. To create this memorial for this angel Rojelio Torres, was life changing. Speaking to his aunt Precious she gave me insight on who he was and what the family envisioned. She spoke of his love for Pokemon cards and playing football with his cousins. He was the life of the party and was always the first on the dance floor! He was a gifted child who was so giving and loved his friends and family.
​
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Maite Yuleana Rodriguez
​
age: 10

Mural by Ana Hernandez

“We decided to give the mural an oceanic theme since Maite wanted to be a marine biologist. Maite Yuleana Rodriguez was smart, compassionate, loved science, animals, the color green, Attack on Titan and had just taught herself to sew.” -Ana Hernandez
​
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Amerie Jo Garza
​
age: 10

Mural by Cristina Noriega

"My own daughter Paloma was born only 4 days before Amerie and is also a girl scout, an artist, and a sweet girl who is a friend to everyone. The similarities gutted me in a way that words cannot explain. Painting Amerie and bringing some healing to her family also helped heal my own grief over the unfathomable loss."  -Cristina Noriega
​
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Nevaeh Alyssa Bravo
​
age: 10

Mural by Brittany “Britt” Johnson
​
Britt Johnson’s Artist Statement:
The mural for Nevaeh Bravo is a collaboration between me (Britt Johnson), Efren “ER” Rebugio, and Nevaeh. One of the first things the family shared with us was Nevaeh's kindred love of painting and drawing. We felt connected to Nevaeh in this way. They provided images of her drawings which included a heart, two birds, a rose, and a handwritten note that reads “I love you.” We knew how important Nevaeh’s drawings were to the family, so we recreated them to be prominent in the background. We also incorporated some of her favorite things like the colors purple and pink, butterflies, softball, and the TikTok symbol.  To complement the symbol, there is a comment box that can be used by Nevaeh’s family to write messages to her.  In the mural a third bird was added that symbolizes Nevaeh’s two brothers and one sister. The two roses symbolize Mom and Dad. Nevaeh’s portrait is nestled in between both elements to signify the embracement of her family.  Curls cascade over her shoulder to show the way she loved to wear her hair.  It was an honor to paint for the Bravo family.  We are grateful for their kindness and patience throughout the process, and we enjoyed their company while we painted, especially hanging with our dog Charlie.  They are always in our thoughts and prayers.   
​
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Jalilah Nicole Silguero
​
age: 10

Mural by Albert “Tino” Ortega

Albert “Tino” Ortega’s Artist Statement:
The subject matter of Jailah Nicole Silguero mural was selected in part for the similarities with my own daughter.
The process of creating the portrait was done in collaboration with Jailah’s family to celebrate her likes and interests.
The halo and glowing light represent a sense of passing and purity.   
Her family was able to partake in the creation of the mural in hopes to bring a feeling of inclusion in the memorial of their daughter and sister.
​
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Irma Linda and Joe Garcia 
Mural by Cease Martinez

Cease Martinez’s Artist Statement:
When researching to do this mural I discovered that Irma LOVED being a teacher and loved her students. I learned that she was a great mother and had been with her high school sweetheart, Joe, coming up on 25 years. Speaking to family and friends, I found out they were practically inseparable. Sadly, this was true even in death. This was the inspiration for painting them in a niche box, often used for devotion or alters. I named it "Amor Eternal" or eternal love. We were blessed to have several of Irma and Joe's friends and family stop by during the process, providing stories of their love.
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 I wanted to include a quote or scripture on part of the wall space. Their daughter gracefully provided a lyric from one of their favorite songs bringing it all together.
​

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Eva Mireles
Mural by Sandra Gonzalez
​
Sandra Gonzalez’s Artist Statement:
As a teacher and a muralist, it was important for me to honor the life of a teacher who was passionate about education and died as a hero.   


“On the morning of July 23rd, a week after Eva’s mural was painted, I drove up to the mural location and noticed two ladies sitting across from Eva’s mural. I assumed that they were volunteers and approached them. It turned out it was Eva’s best friends, Katie and Lilly.  They looked at me and said, “we’re having coffee with Eva”. They shared stories, a particular one about Eva doing Karaoke to Diamonds by Rihanna.” -Monica Maldonado

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​​These murals, as remembrances, also tell the story
of lives violently cut short.
 At a memorial to the victims in downtown Uvalde,
a resident expressed her opposition to them. 
They’re painful to look at, she explained.
“The families shouldn’t see their kids like that …
they should have seen them grow up.” 

The 21 Healing Murals tower over Uvalde’s landscape, greeting all who gaze upon them
with warmth and benevolence.
They aim to provide healing for the families and community through remembrance of the lives taken.
As they honor the victims, they also bear witness to the gun violence that brought about the project,
violence that, two years after the shooting, has continued across the nation.
Ortiz said, “As you walk from one mural to the next,
it’s almost like you’re stitching a wound,”
but, he added,
“Unfortunately, that wound reopens
every time there’s a new shooting.” 

One of the country’s deadliest mass shootings,
the Robb Elementary shooting was also one of the greatest law enforcement response failures.
While an 18-year-old former student armed with
an AR-15-style assault rifle stalked the halls and classrooms for 77 minutes, nearly 400 law enforcement officers,
including US Border Patrol agents and state and local police, remained outside the school, even as children called 911 from their classrooms for help.
A Department of Justice report described the response as “cascading failures.”
Attorney General Merrick Garland said,
“lives would have been saved and people would have survived,” if law enforcement agencies had followed generally accepted practices and gone immediately into the school
to apprehend the shooter.
As of May 22, families of the students and teachers killed or injured at the school settled a lawsuit with the city of Uvalde for $2 million and are suing
92 officers with the school district,
​individual employees,
​and
the Texas Department of Public Safety.



​Related:
Through Art, Texans Memorialize Victims of Uvalde Shooting June 7, 2022

Google Doodle Shares Artwork by 10-Year-Old Uvalde Shooting Victim July 18, 2022
​
Abstractions That Epitomize the US’s Inherent Violence
July 24, 2023


Tiffany Hearsey
Tiffany Hearsey is a freelance journalist.
She covers criminal justice and the occasional horror flick. Visit her website at tiffanyhearsey.com.
​
 More by Tiffany Hearsey https://hyperallergic.com/author/tiffany-hearsey/
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The murals and artists can all be found
 here.  
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Joerael / One Down Dog Mural

7/1/2024

0 Comments

 
!Murals On The Street!
Often I come across some really nice mural
or hand painted sign out there
that I want to share with you!
  Here’s another One…
( ...Down Dog that is!)   

One Down Dog Mural
- By -
​

J o e r a e l

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"Working with Joerael is a magical, creative and collaborative experience. He has consistently exceeded anything I could have ever dreamed up. Each time I've expanded my business Joerael has come to make it more beautiful, and each time I am blown away by his creations. His work is intentional and inspiring and it breathes life into otherwise bland spaces. I am grateful to have had the opportunity to work with Joerael on many occasions and look forward to our next collaboration...hopefully in the near future!" 
             -Jessica Rosen, Founder One Down Dog

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Yoga + Fitness in Eagle Rock
At the heart of Eagle Rock is our second studio, nestled between and convenient to Glendale, Glassell Park, Highland Park and Pasadena, the middle child that we love oh-so-much. Our signature ODD graffiti marks the spot and you’ll find a friendly staff member ready to greet you at the end of a long hallway. If a place could make an expression, our Eagle Rock studio would constantly smile. 
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MORE
-  j o e r a e l -
MURALS

Selected murals throughout the US.
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"imprinting dimensional states of being"
WASHINGTON,DC 2018

Joerael's epic mural at The Corcoran School of the Arts and Design. This mural spans the length of 2,052 square feet and artistically shares the history of the local Piscataway Tribe.
The Piscataway are 'the people where the rivers bend' and call the DC Bay Area their homeland.
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This work was created in collaboration with members of the Piscataway Tribe. The mural is in honor of the Piscataway people whose ancestral land is currently the United States capital. This work touches upon the complexities and histories of indigenous activism in the DC bay area. Joerael took his time and made sure to hold himself accountable to in-depth research and interviews with the tribe Sebi and Gabrielle Tayac of the Piscataway tribe. Joerael developed relations and learned about the tribe's roots in activism. Joerael also included in each design the diversity of the tribe and the resilience of survival. 
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A deep bow of gratitude for Piscataway Tribal members
Sebi Tayac and Gabrielle Tayac.
​Their contributions, time, and stories supported manifesting the mural into reality.
 
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​
​Sky Railway
​SANTA FE,NM  2020-2021
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Dragon and Wolf murals for Sky Railway in Santa Fe.
photos by Micha Gallegos.

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CONTACT
​Joerael is available for your next project. 

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“My work is survival, love, history, and soul and my guiding intentions are to use my art to transform and activate spaces and energy – to be part of the mosaic of transformation – a mosaic of folks standing up for justice and inclusiveness in their way and through their gifts.”
explains Joerael...
“I remember clearly as a boy in San Angelo, Texas, watching on television as the Berlin wall came down, and being captured by the vibrancy and ephemerality of the graffiti, and sensing the transformative effect art can have on a moment in time and the people experiencing it. And that single experience has informed how I approach my role as an artist.”

- JOERAEL NUMINA
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Atelier Saint-Luc and Blackwing pencils

6/3/2024

2 Comments

 
“I’ve been hanging out with Ian Roberts and his posse over at ‘Atelier Saint-Luc’ recently and we’ve been compositioning and drawing and critiquing and having a great time!
No mater what your medium or genre is, drawing and composition are essential skills to develop, even if its just for thumb-nails and working out ideas or organizing your thoughts in a visual language.” -RQ
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Video: Why This Cult ‘$40 Pencil’ Almost Went Extinct
With wax in its core, the Blackwing pencil was said to write faster than its competitors on the market, quickly earning a coveted status among creatives. Disney animators, artists and writers like Steven Sondheim and John Steinbeck added to its reputation. So why did these pencils reselling for anywhere from $40 to $200 almost go extinct?
Watch the Video!
0:00 The story of the Blackwing
1:28 Supply chain
4:12 Why the pencil disappeared
6:14 What’s next for the pencil?
Video from the Wall Street Journal.Style
Thanx to: Deanna Parisi
Here are a few of the drawings I did
with Ian last month!” -RQ
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Thanks to Ian Roberts… What a Guy!
https://www.ianroberts.com/
https://www.ianroberts.com/contact/

While your there…scroll down and
Discover his great Youtube videos!

2 Comments

Happy Link-o de Mayo!!

5/5/2024

3 Comments

 
Happy Birthday (in Memorium)
to my good friend, mentor, partner,
best-critic and sometime frienamie:
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Laurence 'Link' Linkus
​born May 5, 1952 passed-away in 2018.


“Link's untimely passing has left many beautiful murals and paintings unfinished...
and unpainted.

It has been a pleasure and an honor
to have worked with such a talented painter and artist. 
Link taught me, inspired me, and challenged me.
Link kept the bar very high...
well stocked, and very well decorated!

As these images
(below and here) show,
Link was an incredibly talented, prolific and dedicated artist. 
He was versatile and worked in many genre, and in many media.
He leaves behind a powerful body of work that I hope to (continue) documenting and share with you all as best I can.
While Link was pretty good at documenting his work with a camera, he never got around to transferring his photos into pixels for this digital media, and consequently never had a website!
As I scan what we have of Link's portfolio I will add his artwork to this slideshow until I have it all better organized and we have a better way of sharing Link's impressive and masterful artwork. 
​
In respectful and loving memory”
​        -Roberto Quintana de Foster, WFA

       
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​“I miss you Bro!”
 - your pal ‘sQuint’
3 Comments

Joe Bravo: 'Water is Life' mural

4/1/2024

0 Comments

 

‘Water is Life’
mural in Highland Park a community effort

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Founded in 1893,
'The Occidental' is the official student-run newspaper of Occidental College in Los Angeles, written, published and distributed for students, faculty, staff, parents and community members
.

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Joe Bravo, a Highland Park-based artist best known for making art on tortillas, said he hopes to visualize California’s ongoing water crisis by making a mural visible to the public.
​

Bravo found his love for art while growing up in Calexico, California making figurines with mud and swords with scrap wood. Although he is now retired, Bravo continues to use artwork like “Water is Life” to uplift his community.
​
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According to Bravo, this project has been a community effort from the start. He said there were several community meetings where local residents could give their input on the project; additionally, students from Burbank Middle School and art interns from Rock Rose Gallery helped paint the mural, which is located on the wall of Parkside Laundry. 

“Parkside Laundry is perfect because it’s right across from the park,” Bravo said. “Murals are usually on a busy street, or they’re really inaccessible to the viewing public, but here, people can come sit down, have a barbecue and enjoy the artwork. So hopefully it will uplift the community.”
For Bravo, painting murals helps brighten up the concrete community.
“I want it to be a total community involvement, It was a good experience to see different aspects [of] the community [members] who wanted to participate.”
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Standing on top of a scaffold in Highland Park on the side of Parkside Laundry on Avenue 63, wearing a wide-brimmed straw hat and clothes covered with specks of orange, blue and white, artist Joe Bravo applies strokes of green foliage to his mural-in-progress as he talks about his career. 
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“The Water is Life” mural in the process of being painted in Highland Park in Los Angeles, CA. Nov. 1, 2022. Anna Beatty/The Occidental
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"Joe Bravo
is more than just the world's greatest
tortilla artist!"
Written by Cynthia Rebolledo Sep. 21, 2023 

"My art is the sum of my life's experiences," the 73-year-old says. He is an accomplished artist many times over: a muralist, a graphic designer, a portrait artist. But what have earned him worldwide attention are his innovations in tortilla art. On large flour tortillas lacquered to preserve them, Bravo paints vivid icons rooted in Mexican heritage: Emiliano Zapata, Che Guevara and the Virgen de Guadalupe. His collections of tortilla art have appeared in local galleries throughout the U.S. and traveled as far as Hong Kong. 
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Che Guevara, La Virgen de Guadalupe and Emiliano Zapata, acrylic on flour tortillas. Courtesy of Joe Bravo
Using tortillas as a canvas dates back to Bravo's days at Cal State Northridge, when a fortuitous final project for an art class led him on a journey that would become integral to the development of his aesthetic.
Born in San Jose, California, Bravo grew up in the border town of Calexico and spent his childhood crossing the border to Mexicali, where his tías and cousins lived. As a boy with few toys, he constructed slingshots, wood swords and mud figures to keep himself entertained. He moved to Los Angeles County with his family in the early 1960s and attended junior high and high school in the port town of Wilmington.
In college, Bravo joined the Chicano civil rights movement, which he still calls El Movimiento, a distinction that makes it more of a philosophy than mere history. With pieces and installations that were both dynamic and responsive, he joined the wave of artists that documented what was going on. Bravo also served as graphic artist for the student Chicano newspaper, El Popo (first published in 1970 by students concerned about the lack of a Chicana and Chicano perspective in newspapers) and organized the first Chicano art exhibit at CSUN recognized by the art department. 
"I like to think that maybe some of my activism contributed towards the change" at the school, Bravo says. Today, CSUN's Department of Chicana and Chicano Studies is the largest of its kind in the country offering all kinds of art classes while examining the identities that inform Chicana visual expression, creative production and cultural activism. 
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During his time at CSUN, Bravo also had an unconventional art final. 
"I had an art project due and I didn't have the money to buy canvas," Bravo says. He had just finished eating breakfast, and his eyes settled on a bag of corn tortillas sitting on the counter. Bravo painted five tortillas with Mayan codices and assembled a hanging mobile. He passed his final but the mobile crumbled to pieces shortly after an encounter with the Santa Ana winds.
After graduating in 1973 with a bachelor's degree, Bravo worked as a commercial graphic designer, freelanced for various advertising agencies and served as art director for Lowrider magazine. In addition to his graphic work, Bravo also painted murals in the late 1970s as an artist-in-residence for the California Arts Council. Among the pieces he worked on: The Wilhall mural at the Wilmington Recreation Center, restoration of The Great Wall of Los Angeles along the L.A. River, and a mural depicting the history of Highland Park that still stands at an AT&T building in the neighborhood. 
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Bravo eventually reconnected with his tortilla art in 2001 after a conversation with a friend from CSUN. "I remember her saying she thought my college art project was a great political and cultural statement and it got me thinking. I decided to give it another try and started experimenting with different varnishes," he says.
This time, Bravo swapped corn for flour tortillas and went bigger: from 13-inch to 28-inch tortillas. Instead of buying them from a local mercado, he got his tortilla canvases custom-made by Tortilleria San Marcos in Boyle Heights. To prepare them, Bravo singes the flour tortillas over an open flame and applies multiple coats of varnish. The process makes them flexible yet sturdy. He reinforces them by adding a final coat of acrylic, and burlap on the back. The burn marks take on a life of their own, inspiring Bravo's designs.  
In recent years, Bravo has devoted more attention to his murals, culminating in large pieces of public art that interweave symbolism and social justice. He aims to preserve and tell stories about the community for future generations. You see it in his Highland Park mural, "Water is Life," with images of trees, bald eagles, and nopales with prickly pears. At the center is Toypurina, an indigenous medicine practitioner that led a rebellion against the San Gabriel Mission in 1785. Even the late P-22 makes an appearance.
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"When I get the opportunity to do my own work, especially a mural, I try to put my own passion, opinion and outlook on certain issues into it," Bravo says during a break. "I believe that if God gave us a gift, we're supposed to share it with the rest of the world."
Although he no longer creates much tortilla art –– aside from the occasional commision and his #TortillaTournament appearances –– Bravo's masa mastery runs deep.   
When asked what tortilla he prefers to eat, Bravo says without hesitation, "Corn. I like painting on flour but when it comes to eating –– corn. I just like my maíz. It's in my blood."
​


“I’m just trying to do my part,” 
- ​Joe Bravo
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The project is sponsored by:

La Plaza de Cultura y Artes, 
501 N Main St.
Los Angeles, CA 90012

https://lapca.org/ 
 

​and
​LA Council District 14

Councilman Kevin de Leon
https://councildistrict14.lacity.gov/

and

The Highland Park Neighborhood Council.
https://www.highlandparknc.com/what-is-a-neighborhood-council



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Chicano Park Museum, San Diego. Part Dos

3/4/2024

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The History and Future Of The Park...

Chicano Park, located in Barrio Logan, is one of San Diego’s most culturally significant landmarks with a story rooted in collective activism and the power of art.
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WHY CHICANO PARK IS ONE OF
​SAN DIEGO’S MUST-SEE CULTURAL LANDMARKS

By Maura Fox / San Diego Union-Tribune 
 APR. 19, 2023 
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Photo by Howard Lipin
Located beneath Interstate 5 and the on-ramps for the
San Diego-Coronado Bridge, the park was established in 1970 as a result of protests not long after construction of the bridge was completed. Today, it stakes the claim of holding the largest collection of outdoor murals in the world, with more than 100 of them painted on the freeway pillars, depicting messages and images of strength, struggle and community in Indigenous, Mexican and Mexican American history.


“I consider the park to be a sacred space, and I say that because of the rich history behind it, with regards to the many steps and many stories and many activities that have happened here,” said Alberto Pulido, a University of San Diego professor and member of the Chicano Park Steering Committee, which serves as the steward of the park.

Just as the park is connected to the past, it’s also closely linked to the current community, its ongoing activism and its future. There is a newly opened Chicano Park Museum and Cultural Center next to the park, and new murals are being painted, with many younger artists rising up to contribute.
​

Here’s a look at the history and significance of the park, along with its artists, murals and hopes for the future. 
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History
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In the early 1900s, Barrio Logan was part of a larger area known as Logan Heights. Its Mexican and Mexican American population grew as a result of immigration after the Mexican Revolution, as well as a development boom along the waterfront, which led to an increase in job and housing opportunities in the area, according to a historical survey done for the city in 2011.

However, by the 1930s, the Great Depression led to economic instability and Mexican workers faced racism, hostility and deportation. A report examining redlining practices in the 1930s in San Diego found that the area containing what’s now known as Barrio Logan, Logan Heights and Grant Hill was given a “D” letter grade by the Federal Home Owners’ Loan Corporation, meaning it recommended its lenders refuse to give loans in the area, saying it was “occupied by mixed races, colored, Mexican, lower salaried white race, laborers.”

During and after World War II, the Mexican American community in Logan Heights grew, in some cases because of the Bracero Program bringing in more workers from Mexico. In the 1950s, the neighborhood was rezoned and transformed from a mostly residential area to mixed-use, where metal shops, junkyards and factories were built around homes. Highly industrialized, the neighborhood became “the city’s auto junkyard capital.” Heading into the 1960s, a social and economic protest movement was growing among Mexican Americans, many of whom preferred to use the term Chicanos.
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In 1963, the California Department of Transportation built Interstate 5 through Logan Heights, followed by the San Diego-Coronado Bridge construction four years later, effectively cutting the neighborhood in half. The northernmost part was called Logan Heights, with the southern part referred to as Barrio Logan. Thousands of residents, whose homes were in the construction’s path, were forced to move.

The attempted construction of a highway patrol station in the area in 1970 sparked an organizing effort by Barrio Logan residents and Chicano activists, who protested the development, occupying the park for 12 days until an agreement was reached between the community, state officials and the city of San Diego to support the creation of a community park.

Salvador Robert Torres, often referred to as the “architect of the dream,” was the visionary for the park’s design and murals, saying at the time that “Chicano artists and sculptors would turn the great columns of the bridge approach into things of beauty, reflecting Mexican American culture.”

By 1973, mural projects had begun. In 2013, Chicano Park was added to the National Register of Historic Places, and in 2017 it was established as a National Historic Landmark. Today, the park is technically owned by the California Department of Transportation, though the artists own the murals.
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.Chicano Park Named National Historic Landmark
Jan. 11, 2017
“The revolutionary part of the park is that the vehicle of destruction, which was the bridge and the pillars, was redefined by the community and through the creative spirit of art,” Pulido said. “And now it’s ours.”

Prominent Murals And Artists
Over the past 53 years, more than 100 murals and sculptures have been created under the freeway overpasses, with new ones in the works. The pieces depict key moments in Indigenous history, revolutionary struggles and achievements, Chicano identity and important figures like Che Guevara, Frida Kahlo and Emiliano Zapata. Find a map of the murals here.

The first mural painted in the park, in 1973,
is “Historical Mural,” located on Logan Avenue on the side of the I-5 freeway on-ramp. Created by Toltecas en Aztlán, a collective of Chicano artists that also founded the Centro Cultural de la Raza in Balboa Park, the mural presents a sweeping history of Chicano culture and the contributions of Spanish, Mexican and Mexican American people.
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One of the most well-known murals is “Hasta La Bahia,” translated to “All the way to the bay,” which can be found toward the center of the park overlooking National Avenue. Painted by Victor Ochoa in 1978, the phrase refers to a campaign throughout the 1970s and ‘80s to extend the park to the San Diego Bay.

Ochoa is a pioneer in Chicano Park’s history and community, has painted or contributed to dozens of murals in the park and served on the Chicano Park Steering Committee.

“I paint murals from the attitude of the ‘60s and ‘70s, which is kind of issue-oriented,” Ochoa told The San Diego Union-Tribune in 2021. “I want people to be proud of who they are. The history of the community is really important to me.”

Along with “​Hasta La Bahia,” ​Ochoa’s other murals in the park include “Revolución Mexicana,” completed in 1985, and “Brown Image​,” a tribute to Mexican American lowrider culture and the newest mural, completed in 2022. The mural was painted using airbrushing techniques with gold metal flakes, traditionally used to paint lowrider cars.
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San Diego, California - January 25: Roberto R. Pozos, 60, helps paint a five-story mural called “Brown Image” on a pillar in Chicano Park that features images from car clubs from the 70s on Tuesday, Jan. 25, 2022 in San Diego, California. Eight artists are airbrushing the piece and using techniques that would typically be used to paint a lowrider car. The pillar is being painted a candy apple root beer color mixed with 30 pounds of metal flake which is about 18 cars worth of material. A fundraiser for the volunteer artists will be held on Feb. 5. (Ana Ramirez / The San Diego Union-Tribune)


Mario Torero’s “Colossus,” painted in 1975, is another mural that shouldn’t be missed, depicting an Atlas-like figure who seems to be holding up the freeway on-ramp.
Like Ochoa, Torero is one of the park’s original muralists and activists.


Women artists were also critical to the park’s mural development. Yolanda Lopez was an accomplished muralist and advocate for young female artists, including a group called Mujeres Muralistas, who completed the mural “Preserve Our Heritage” in 1977.
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Charlotte “Carlotta” Hernandez, an artist and singer, designed the Chicano Park logo, which today resides on a pillar with the phrase “La Tierra Mia,” or “my land.”
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​New Museum And Educational Opportunities
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San Diego, CA - October 08: Community members celebrate the opening of the Chicano Park Museum and Cultural Center on Saturday, Oct. 8, 2022 in San Diego, CA. The opening exhibit is “PILLARS: Stories of Resilience and Self-Determination,” which tell the history of Chicano Park and Logan Heights. (Ana Ramirez / The San Diego Union-Tribune)


There is also a rotating gallery to showcase local artists’ work.
The museum has partnered with the Logan Heights Archival Documentation Project, an effort led by Pulido, who has been instrumental in documenting the area’s history with help from students.

The project’s detailed research on key places and moments in Logan Heights history, including the timeless restaurant. 
El Carrito and the original Logan Heights library, can be found on the museum website here.


Visiting Chicano Park
Plan to spend at least an hour walking around the 7.4-acre park and admiring the murals, or bring a lunch to sit on the grass or at one of the many tables positioned throughout.
Before going to the park, it’s helpful to know general information about the murals and their significance, so try to stop by the museum first. Other information can be found in this 2015 Chicano Park Murals Documentation Project.

The Chicano Park Steering Committee also leads walking tours through the park for visitors to learn even more.
While a large portion of the park and its murals reside between Logan and National avenues, visitors will also find additional murals in the basketball courts on Logan Avenue, along with a community herb garden. Make time to walk around the surrounding neighborhoods, as well, where there are shops, restaurants, art galleries and more murals painted on gates and the sides of buildings. 


The museum is open Friday through Sunday
​from 11 a.m. to 5 p.m.
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​The Future Of The Park
Cindy Rocha, Hector Villegas , Patricia Cruz and Cesar Castañeda are among the newer muralists in the park. To paint there, a muralist must first bring a design to the Chicano Park Steering Committee for approval and ensure funding to complete the work.

Cruz, who is also a member of the steering committee, said that the younger generation is aware they are standing on the shoulders of the artists who painted before them in a more “revolutionary” era.

However, the new generation still has issues to contend with in Barrio Logan, Pulido said, citing gentrification concerns and poor air quality. Barrio Logan suffers some of the worst air quality in California, according to regulators, and concerns over how the city responds to pollution in the neighborhood remains a top issue for the community.
“It’s more than murals and pillars,”  Pulido said. “What will Chicano Park look like 20 years from now? Will we still have this energy?”
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Artists are still painting new murals today. 
Mario Chacon, an artist and community advocate,
is currently working on a mural on the southwestern side of the park — but Pulido notes that as less space becomes available, there’s more competition for artists to claim a pillar or location to paint.
​From 2016 to 2022, 17 murals were added to the park. Several murals, painted decades ago, have also been restored.
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Eliot Arts Magnet Academy / Art Deco Foyer

2/5/2024

0 Comments

 
Hey! There’s a new BOSS in town!
A new Boss Graphics boss that is.
The ‘old’ Boss, Larry Lousen has retired,

just in ‘time’ for the new-Boss, Trinidad Marin, to take over!
Larry is finally going to have all the time he needs
to keep all those 
CooCoo’s and Banjo’s
running smoothly!

And Trinidad has some BIG shoes to fill!
And as many Re-Paints and Gym Interiors as he can handle!

So here’s the first project I got to work on
with Trinidad and The Crew.

I think The Crew did a great job scaling-up the designs!
And many Thanks to the principal: Benita Scheckel and the amazing Staff at:
Eliot Arts Magnet School!
Here’s the Art Deco Foyer project before:
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Foyer entrance to main hallway.
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Foyer north wall.
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South wall staircase and west exit door.

​Here’s the project in progress:
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Foyer entrance to main hallway.
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Foyer entrance to main hallway and north wall, from staircase.
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Foyer from main hall towards exit.
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North wall/stairway.
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Foyer from main hall towards west exit.
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Foyer from main hall towards west exit and north wall.
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Foyer entrance to main hallway and north wall, from staircase.

​And here’s the finished
Art Deco Foyer!
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Foyer entrance to main hallway and north wall, from staircase.
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North wall towards exit.
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Foyer west wall exit.
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Foyer from main hall towards exit.
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North wall/stairway.
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Charles W. Eliot Arts Magnet Academy!
2184 N Lake Avenue Altadena, CA 91001
Mariachi Band, Costume Design, Ceramics Studio,
Stop Motion Animation and Hollywood Makeup Design
are just a few of the course offerings at PUSD’s first-ever
Arts Conservatory for students at Eliot Arts Magnet middle school. Eliot’s conservatory program currently affords all students in grades 6-8 the opportunity to select
​from over 20 courses in the four major arts categories:
Visual Art, Dance, Theatre, and Music. 


Here are a few of the other projects I worked on with Benita:
​


​​Altadena Arts Magnet Elementary School Library 
French Impressionist Murals


Altadena Arts Magnet Elementary School 
Dance Room Murals


A message from Benita Scheckel:

Hi Roberto!!!
This is absolutely fabulous. Thank you, my friend. 
You are a true artistic genius and I have loved working with you on all the projects.
I recently was promoted to Coordinator of Visual and Performing Arts in Hacienda La Puente USD. I love it so much but miss all my Pasadena friends and students.  Here's a photo of me with part of the mural. 
Please keep in touch and being your amazing self
xoxo Benita
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0 Comments

‘Duit-On-Luna-Primo-Mon-Dai’

1/8/2024

1 Comment

 
A special announcement from
​the World Famous Artist: 
“As the new title implies, I will now be posting once a Month, on the first Monday... more or less.
I hope you will continue to find my posts interesting.

I know this will be disappointing to my throng of social media followers!  But please, get a Grip!!
If you really need more than a monthly dose of ART TALK…Go and check out the Gurney Journey Art Blog.
Even though there is not very much there on murals per-se’
Mr. Gurney posts daily on (most) everything Art.
I guarantee you will not be disappointed!”
Peace and Love -Roberto Quintana, WFA

​Roberto is spending more and more time in his studio these days, working on all those silly little easel paintings.
Still, feel free to leave a friendly comment.
Dialogue and praise is encouraged.
Creativity, passion and wonder
should continue to be expected. 

‘Bookmark’ this Website/Blog and check back
every now and then,

and don't be shy about sharing your responses.
Politics and personal grievances should be kept to emails.
And please… no Whining!
...and no sales pitches either!
(you can make your own damn blog for that!).
Oh Yes, and...  Don’t be too persnickety over my whimsical spelling and creative punctuations either,
my 'Editorial Department' is still not what it used to be…
We are still seriously understaffed these days.
For some time now ‘Research and Development’ here at 
Art and Soul Productions 
have been enjoying showing off all the great work out there we keep finding. 
‘Sales’ is still totally against the whole idea!
(“We still fail to see any significant improvement
to the bottom-line!").

 ‘Marketing’ remains split ("We still need more data"). 
‘HR’ says it has turned out to be a good way of keeping (what’s left) of ‘The Crew' distracted.
'The Crew' says: ’'We've still got very little else going on…
but will we still get to share more stuff about technique, materials, and equipment?” 
'Legal' continues to protest!
(You MUST put a stop to this!!
We strongly advise you to cease and desist from continuing to reveal where you steal all of your great ideas from!)

Although Roberto really does value their legal advice,
he continues to not be moved by their hysterics.
Enjoy!
p.s. -Here is a fun mural project from our archives:

Parrots and Roses Mural

-at-
‘Community Kitchen’
CAFE, BAKERY & FULL ESPRESSO BAR
(Now Closed!)
1399 East Washington
Pasadena 91104
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1 Comment

Chicano Park Museum, San Diego. Part One

1/1/2024

0 Comments

 
Chicano Park: EL Parque Chicano
The largest collection of outdoor murals in the world!

​
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Murals adorn the sides of the columns supporting the portion of the San Diego Coronado Bridge in Chicano Park, that is under the bridge, in Barrio Logan. Photographed July 25, 2019, in San Diego, California. The bridge turned 50-years-old on August 3. (Howard Lipin/The San Diego Union-Tribune)
​
A Park for The People
On April 22, 1970, residents of Logan Heights, in collaboration with student and community activists, interrupted and suspended the construction of a highway patrol station happening on the piece of land the community had previously allocated for a park.
With pressure and commitment the community physically inhabited the land, driving out the construction workers
in a historical phenomena known today as
the Chicano Park Takeover!
This manifestation marked a major victory for a community already carrying the weight of gentrification, militarization, and environmental racism,
yet it also catalyzed what would become an ongoing battle for space inspired by cultural resistance and pride.
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Pylons as Canvases
Uniquely, most of the Chicano Park murals have been painted on the pylons that sustain the Coronado Bridge, the very same bridge that displaced many people in Logan Heights with its construction in the late 1960s.
By utilizing the pylons as canvases, artists have reimagined the landscape, branding the space as a site
for cultivation of knowledge and identity.

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The Continuous Battle
Although over forty-five years have passed since the historical takeover, the Logan Heights community
—specifically the courageous curators of the park--
keep battling for the space. The city’s continuous brazen efforts to intervene are always met with strong opposition, rooted in paradigms of radical love, emotional connections to the land, la tierra, and self-determination!
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Here’s a link where you can flip through the 2015 edition of the Chicano Park Mural Documentation Project.
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Dr. Alberto Pulido and his students and co-workers
at the University of San Diego, in consultation with
the Chicano Park Steering Committee,
worked to update documentation of Chicano Park,
including this 2023 update of the Chicano Park Murals map.
​A huge thank you to all!


(​FOR PERSONAL NON-COMMERCIAL USE ONLY)
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“The Slim Princess” by Robert Thomas, John Knowlton, and Richard Perkins

12/25/2023

0 Comments

 
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Fifteen of Bishop’s Murals and Their Stories

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“The Slim Princess”
​by Robert Thomas, John Knowlton and Richard Perkins. 2000

Fendon’s Furniture store, north wall. 13' x 68'
This mural depicts Laws, a thriving railroad depot and community, just outside of Bishop circa 1909.
The railroad line, called the "Slim Princess" by the local population, was a major transportation resource until Highway 395 was paved and improved.
The depot was built in 1883, and served the Owens Valley until April 30, 1959, when the line from Laws to Keeler was abandoned. Laws is now home to:
​

"Laws Railroad Museum"
175 East Pine Street, Bishop, Ca
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Listed on the National Registry of Historic Places by the U.S. Department of the Interior, and designated by the State of California as Historical Landmark # 953, the Laws Railroad Museum and Historical Site is not just another train museum.
Located on the site of the Laws Railroad station and rail yard, the land, 1883 depot and other buildings, and the last train, were donated to Inyo County and the City of Bishop by the Southern Pacific Railroad in 1960.
At the time that the railroad shut down its operations, the village of Laws which had grown up around the rail yard had disappeared. That village has been recreated by moving in historic buildings from around the Owens Valley.
And…  "The Mule Museum"
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The original railroad town of Laws had a depot of course, and the Station Agent’s House at Laws has been there since 1883. It did not have a mule barn. The Carson and Colorado Railroad in fact largely took the place of the mule freighters who hauled ore from the Owens Valley mines for more than a decade before steam locomotives appeared on the horizon. But before trains, mules ruled. And a very good job they did indeed.
The Mule Museum at Laws is the culmination of work by the Death Valley Conservancy and others dedicated to the history of the role of mules in the colorful and complex story of Owens Valley history.  Bishop, “Mule Capitol of the World,” has hosted the Mule Parade each Memorial Day weekend since 1970, but even many locals are unaware of the astonishing and extensive role mules have played in our local history and culture.
 In Owens Valley’s 20 th Century, Mules have hauled equipment and supplies to build the aqueduct to divert water to the City of the Angels, brought materials for the South Lake and Lake Sabrina dams, and hauled construction components for wagon and automobile roads, electrical, telegraphic, and telephone lines. Surrounded by public lands, we have employed mules to build trails for the U.S. Forest Service and National Park Service, and to promote pack trips for tourists visiting these lands. We would not be who we are without the help of these four-footed beasts...
​


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AND…  
​
the  “Bottle House”

Whisky, Tea, and Snake Oil... and Fine Dining Too!

The newly opened Bottle House at LAWS is a must-see addition to Inyo County’s Western History. The exhibit in its present form is much more than a collection of colorful glass bottles. The current presentation displays shape, color, and form in the evolution of glass bottles of the late 19th and early 20th centuries. Changes in the techniques of bottle- making: blown, molded, or combined approaches, are also evident if one knows what to look for.

If you thought this was a dead-end for FASCINATING ART,
Let me assure you, this is actually a perfect segue
​to my latest series of paintings!

Check out my ‘Vessels’Vessel Series series HERE!
​

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Michelangelo, Underground Graffiti Artist!

12/18/2023

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A Secret Room in a 16th-Century Italian Chapel, Where Michelangelo Hid—and Drew—for Months, Opens to the Public!
by Sarah Cascone, October 31, 2023
Michelangelo is believed to have made the rarely seen drawings while in hiding after the pope sentenced him to death.
Guidebooks to the Italian city of Florence have long noted that the Basilica of San Lorenzo is home to a secret room believed to have been decorated by Michelangelo while the famed Renaissance master was in hiding from the pope for two months in 1530. Now, the chamber, which is part of the the Museum of the Medici Chapels (itself one of the fives sites of the city’s Bargello Museums​), will be open to the public for the first time.
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“The completion of the works on the new exit and the adaptations to align… with safety regulations, will allow the opening of Michelangelo’s Secret Room—an extraordinarily fascinating place, but extremely delicate due to… the narrow space… and… the need to protect the charcoal drawings found on the walls,” Massimo Osanna, director general of museums in Italy, said in a statement.
The stunning drawings of the Stanza Segreta, or Secret Room, were rediscovered in 1975. That’s when Paolo Dal Poggetto, then director of the Museum of the Medici Chapels, tasked restorer Sabino Giovannoni with trying to clean part of the walls of a narrow chamber beneath the church’s mausoleum, which had been designed by Michelangelo in 1520.
The corridor, measuring about 32 feet long, 10 feet wide, and eight feet tall, had been used it to store coal, until it had been sealed shut some 20 years prior. It was accessible only by narrow stairway beneath a trap door that had been concealed beneath a wardrobe amid a pile of unused furniture and decor.
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The initial plan was to potentially create a new tourist entry and exit point from the museum. But what Giovannoni found changed everything. Hidden under two layers of plaster, he soon realized, the walls were covered in large-scale charcoal and red chalk sanguine drawings executed with the confidence and ease of a master draftsman.
“The moment you enter that room you simply are speechless,” Paola D’Agostino, director of the Bargello Museums, told the New York Times, adding that as your eyes adjust to the low light “you start seeing all the different drawings and all the different layers.”
But why would Michelangelo have been sequestered in this subterranean space, with just a single window letting in light from the street above?
At the time, the artist’s main patrons, the Medici family, had just returned from exile, having been overthrown by a populist revolt in 1527. Because Michelangelo had worked on behalf of the republican government, supervising the city’s fortifications, Pope Clement VII—a member of the family—had sentenced him to death.
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Hiding beneath the basilica was a way for Michelangelo to lay low until he was back in the pope’s good graces. Fortunately, the Medicis ended up forgiving Michelangelo about two months later, lifting the death sentence and allowing him to leave his (freshly decorated) hiding place to resume work on the family’s tombs at the basilica.
Most scholars are in agreement that the chamber’s sketches appear to be the work of Michelangelo.
If you want to judge for yourself, be forewarned that there will still only be limited access to the Secret Room. The museum is making just 100 tickets—priced at €32 ($34), including access to the Medici Chapels—available for each week, with 15 minute slots for groups of four. There is a 45-minute gap between each visit, to limit the works’ exposure to light.
​

Sarah Cascone
Senior Writer
Sarah Cascone is a senior writer for artnet News, where she has worked since its 2014 launch. She is the co-founder of Young Women in the Arts, and was previously on staff at Art in America. A native of Northport, New York, she went to Fordham University in the Bronx, graduating magna cum laude from the honors program with a double major in visual art and history.
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Faux Finishes, Part 4c: Natural Surfaces

12/11/2023

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Here's another great book from the 'Surfaces' series...
Natural Surfaces
 Visual Research for Artists,
Architects, and Designers

by Judy A. Juracek

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     The photographs catalog images of nature used in art and design, with detailed views of natural elements, plant portraits, and pictures of landscape installations, gardens, and scenic vistas.
     Horticultural pictures are captioned as to botanical and common names. Images are coded and cross-referenced in the index and on the CD-ROM, making the book a compact picture file for illustrators, landscape architects, designers, and graphic artists.
     With an illustrated glossary, resource sections, and interviews with professionals in landscape design and botanical illustration, this is a great book for students. 


Over 1,200 high-quality color photos of the natural world,
​in print and on CD-ROM with printable TIFF files.
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Tool-Hack / Trompe L’Oeil Brick

12/4/2023

2 Comments

 
Here’s a cool Painting-Hack-Tool
​ and what I did with it!
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I was out cleaning and re-organizing my Studio-On-Wheels the other day, and I came across this great tool I made for a trompe l’oeil project a few years back, buried under my yard-sticks, metal rulers and spirit levels, beneath my wooden planks, next to my light stands and tripods.
​
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I needed to paint a four-story high facade of ‘bricks’ on the stucco surface of an elevator tower, to match the existing facade of a Gothic-style building.
​

So I cannibalized a plastic handle from somewhere and duct-taped it onto a long plastic spirit-level that had a ruler on it and “Voe-Wall-ahh!!” I had the perfect tool for the job! Light-weight, easy to handle, and easy to adjust on the wall, and versatile as wHell!!
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So I took a load of pictures of the existing architecture…
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…and re-created architectural elements for the newly finished (stuccoed) elevator tower on the new building.
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In order to enhance the illusion of height of the tower I wanted to make the ‘bricks’ get smaller and smaller as they went higher and higher. But I didn’t want to take the time, nor was I enthusiastic about measuring-out all those brick-rows or snapping all those lines to keep them all parallel and straight!
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Since I was working off of a awing-stage, secured from the top of the building, I needed to work my way down adjusting the height of each row of ‘bricks’ as I moved down the building and I needed each layer to be parallel with the last, as I made my way to the bottom of the tower.
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I had already ‘pounced' the cartoon patterns I made in the studio...
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…and I painted the architectural elements and the textured color-fields of the aged-facade.
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All I had left to do was to paint the mortar between the ‘bricks’ and their shadows and high-lights, and the faded darks and lights of the old brick-pattern as I made my final pass down
​the wall.

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​Here’s a link to a slideshow of the ‘Making-of’ the project.
​
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2 Comments

Color/Light/Perception: Red Planet Glows Green!

11/27/2023

1 Comment

 
Mars probe sees Red Planet atmosphere glowing green at night!
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Scientists just observed Mars' nightglow
in the visible light spectrum
for the very first time.

Mars might be the Red Planet, but its atmosphere ​glows green.
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Artist's impression of ESA's ExoMars Trace Gas Orbiter detecting the green glow of oxygen in the Martian atmosphere. This emission, spotted on the dayside of Mars, is similar to the night glow seen around Earth's atmosphere from space. (Image credit: ESA)

​Using the European Space Agency's (ESA) ExoMars 
Trace Gas Orbiter (TGO), scientists have observed 
Mars' atmosphere glowing green for the first time ever
— in the visible light spectrum, that is.
The effect is called airglow
(or dayglow or nightglow, depending on the hour),
and it occurs on Earth, too.
While it shares some similarities with the northern lights 
(or aurora) here on our planet,
it's a different phenomenon with different causes.
 Nightglow, in particular, "occurs when two oxygen atoms combine to form an oxygen molecule,"
 according to ESA,
 ExoMars. On Mars, this happens at an altitude of approximately 31 miles (50 km). 
By comparison, auroras occur when charged particles from the sun collide with Earth's magnetic field.

Scientists have suspected Mars to have airglow
for some 40 years, but the first observation only occurred a decade ago by ESA's Mars Express orbiter, which detected the phenomenon in the infrared spectrum. 
Then, in 2020, scientists observed the phenomenon in visible light using TGO, but in Martian daylight rather than at night. Now, we've seen the phenomenon at night
via TGO (Trace Gas Orbiter). -Stefanie Waldek 


1 Comment

Murals On The Street! / Jonas Never

11/20/2023

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Jonas Never Never More a Mural!
This was sent to me from Sue W.:
Silver Lake: A Jonas Never mural of musicians Beck, Elliott Smith, Jackson Browne and the Silversun Pickups in Silver Lake, put up when Floyd’s 99 Barbershop occupied the space, has reportedly been painted over by the building’s new tenant, which is part of a chain of tanning salons.
A new mural is said to be due for the wall. [L.A. Dork]
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This iconic mural in Silver Lake on Parkman/Sunset featuring the holy trinity of Elliott Smith, Beck, and Silversun Pickups, was completely painted over by a new tenant -- a tanning salon chain that apparently didn't want to pay for upkeep but now promises their own mural.

“Yea… Promises, Promises!  What a Shame!
Another Great Mural lost!
I hope they hire Mr. Never to paint the new one!
( Homeboyz from my old neighborhood! )”
-RQ


​Here are a few of Jonas’ murals from his
Not-Twitter-Any-More-X-Account

twitter.com/never1959?lang=en:


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"5 days and an unbelievable amount of @MontanaPaint
 to do this 41’ "Lizard King" in Venice Beach.
​ #JimMorrison actually lived/crashed here and they shot the Doors here, as well"
-NEVER!
​
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"Pretty amazing experience painting @tompetty
on Ventura Blvd just in time for the #vampirewalk"  -NEVER!
​
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“Underwater action at @thevenicewhaler... I'm really happy with the way this one came out #veniceisforlovers”  -NEVER!
​
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"Here's a Pacific Ocean Park mural I just did at Ashland Hill on Main st in Santa Monica @66SunsetStrip"  -NEVER!


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Here’s an Interview:
Jonas Never Interview 
​
By Nick Douglas Published February 27, 2019

​
And his…

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and... "X"

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Spotlight Update / Tracy Lee Stum

11/13/2023

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As usual, Tracy’s been painting up a storm!

“I have had a busy summer!
I want to share some of the great work that I have done recently.” -Tracy Lee Stum

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Tilt: A Tracy Lee Stum Museum will take you on a journey filled with delight, laughter and awe. You’ll step into unbelievable life-size murals for an unforgettable and inimitable experience of art.
TiLT: American Dream Gets A Makeover!
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"We are thrilled to announce that our facade
at American Dream recently had a makeover.  
This bright new entrance is sure to pique the curiosity
and 'TiLT' visitors' points of view!"
 
-Tracy


You can learn more about TiLT here
​
The artwork Tracy creates is a far cry from paintings
behind velvet ropes in museums.
Her art is made to be played in,
and this is the foundation for
Tilt A Tracy Lee Stum Museum 
an experience like no other where people of all ages can step through the looking glass and revive their sense of wonder.

With every stroke of brush or strike of chalk, Tracy transforms the ordinary into the extraordinary.
Her journey from aspiring artist to award winning master
of her craft has culminated in 
Tilt A Tracy Lee Stum Museum,
the purest expression of her love for art and imagination.


"We are looking to expand TiLT!
Are you interested in bringing
TiLT: A Tracy Lee Stum Museum
to your community?

We would love to hear from you!
 info@tracyleestum"
-Tracy
​

​
Client: Braunabiity
Name of Piece: Access Aisle Campaign
Size of piece: 20’ x 10’
​Materials:Vinyl graphic / digital design
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"My team and I loved creating this 3D Access Aisle artwork, an optical illusion resembling a raised barrier to discourage drivers from misusing the space intended for those with mobility challenges.
The 3D Access Aisle is visible in cities around the country as a conversation starter about inclusion.
The optical illusion was designed to work with
standardized parking slots adjacent to
mobility challenged support vehicles.
My concept began with looking at the older version
parking striping feature in disabilities parking zones.
Our team hoped the added optical illusion
would draw more attention to these zones.
By using the approved blue curb color,
the design seamlessly replaced the standard
flat striping in the parking spots,
maintaining code requirements for the design.  

​
"Thanks to Braunability for asking my team and and I to contribute to this engaging civic project." -Tracy

​

Client: NVIDIA for the Siggraph Convention
Name of Piece: Utah Teapot
Size of Piece: 10’ x 15’
Materials: Chalk Pastel on Pavement
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"Pioneering Graphics for the AI Generation"
was the mission statement.
We partnered with Nvidia for their Siggraph Convention.
Our team created a 3D chalk drawing which pays homage
to the Utah Teapot, an iconic 3D test object.
We attempted to capture the process of an image being generated in reference to AI being able to generate
incredible imagery now.
The teapot is glass and lit in a way to highlight the realism that we're able to achieve with computer graphics in present-day.


Once the layout design was completed, our team member Julio Jimenez recreated the teapot using 3D rendering software to effectively create the luminance of glass
as it would work with the existing environment.

Guests interacted around the borders of the design,
standing on the perimeter of the virtual space.


Visitors to the site loved the artwork and enjoyed discussing the use of the Utah teapot in the design.
​

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Tracy was also the "Featured Speaker" at the 23rd annual International Retail Design Conference (IRDC) in Minneapolis on October 26, 2023.
IRDC features two days of engaging educational and networking experiences for visual merchandising and store design professionals from across the globe. 


Interested in working with Tracy?
Do you have any questions about her work?
Do you need help with an upcoming event or activation? 
If so, you can contact her here:
 [email protected]

Copyright (C) 2023 Right Angle Management.
​All rights reserved.


Her mailing address is:
Right Angle Management
237 CALIFORNIA STREET
EL SEGUNDO, CA 90245
USA
Here's a link to Tracy’s ‘Featured Artist’ blog-post
here on "Duit-On-Mon-Dai" for 2-27-23

http://www.artandsoulproductions.com/blog/tracy-lee-stum-muralist-3d-street-chalk-artist
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Stunning Glass Murals! / Bonnie Rubinstein

11/6/2023

2 Comments

 
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Bonnie Rubinstein Studio
https://www.rubinsteinstudio.com/

email: [email protected]
​phone: 715-220-8105
“I am pretty much a 2D Painter Guy, although I have dabbled in the 3D worlds of painted tile and glass painting
and glazes for stained glass windows,
and some etching and sandblasting… 
But this Gal takes it all to another level altogether!
I love Bonnie’s work, and I really respect her dedication to exploring her medium deeply,
and her courage to work on such a large and monumental scale!” -RQ
GLASS MURAL
​ REPRESENTING 7 ECOSYSTEMS

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This huge 11' x 13' fused glass art mural 
is a beautiful celebration of nature!
​Each piece features stunning colors and forms
inspired by seven different ecosystems that
evolve into one another in 2' x 4' fused glass panels.


The concept for this project was a collaboration with high school students
through a grant provided by
the WI Arts Board 'EcoLegacy' project
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Scaffolding for installation! 15' above ground level. Exiting (and frightening) experience!
“The concept for this unique mural was developed in a fun glass workshop that I (Bonnie) taught to River Falls High School students in 2010. During the workshop, the students learned about how to work in fused glass, the impact of public art, and the importance of preserving a healthy planet.
The students came up with this amazing concept supporting sustainability, which I (Bonnie) then created in glass! The students made this their legacy tribute to the school.
A special "Thank you" to facilitator Julie Dean for your help!”
​
-Bonnie Rubinstein
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About Bonnie and Glass
"What medium plays with form, color, and light the way glass does?  This mesmerizing material still awes me!
I am passionate about it!. I have always loved glass...
to that end... I studied glassblowing, neon, and stained glass.
But what really spoke to me was fused glass, or kiln formed glass. I saw the bigger picture of what glass could do in its scale, its ability to convert light, and its impact on a space.
I envisioned glass art spread across a wall or hanging from the ceiling in new ways.  
So, I purchased large sheets of brilliant fusible glass and a kiln on sheer faith and experimented. And, literally, the light went on! I absorbed as much as I could through trial and error. 
I focused on perfecting visual techniques while learning the technical intricacies of managing the outcome of glass at 1450 degrees. 
The outcome- I now kiln-fire and kiln-form colored fusible glass into many architectural uses." 
​-Bonnie Rubinstein
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GLASS and METAL
AERIAL and ARCHITECTURAL
WALL SCULPTURES!


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'The Power of Art'
65' long (!) glass and metal wall sculpture,
commissioned by the City of River Falls

for the power substation on the river.
A colorful representation of water power
viewable day or night.

Designed, fabricated, and installed by
Bonnie Rubinstein Studio.
​
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    'Luminous  Flight'
25’ diameter Aerial Sculpture,
Westfields Hospital Rotunda
​New Richmond, WI
​

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“River Fusion”
20’ tall, glass and metal
University of Wisconsin,
River Falls, Student Center

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 a typical adventurous glass day in the studio!
Environmental Stewardship
Supporting sustainable values is a priority!

Bonnie has performed environmental audits for many other companies through EcoSource, Inc. since 1990.
So, she naturally monitors her studio's waste stream and materials sourcing. The studio is as close to being a zero-waste shop as possible, and is sustainable in many ways.


    • glass scraps are used in future pieces. 
    • water is needed to run the saws, cutters, and grinders,
but used minimally.  

    • Bonnie picks up the large sheets of glass
in her van in quantities;
avoiding need for shipping boxes, bubble wrap.

    • heating- only when in use, and by an efficient gas heater, never set above 60, even in frigid weather.
    • cooling- cool and comfortable in the lower level of a large former dairy barn, doors kept open for cross ventilation,
the concrete floor we poured helps retain the coolness.
In the colder months, we unroll a carpet
to insulate against the cold. 

    • cabinets, table tops, desk, chair, carpeting, and large florescent lights were all procured from office remodeling projects, where they were headed for the dumpster. 
2 Comments

Mind-Bending Murals by Odeith

10/30/2023

1 Comment

 
"This photo was sent to me by my dear friend Pamela White because she knows I love these fun anamorphic murals."

From Pam: "Hey Roberto!
Here's a striking piece of street art (tea time) by the Portuguese Artist Odeith
(via beauty of nature" ~
link)
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"I thought this guy’s name sounded familiar,
and sure enough…
I featured him on my blog on
​ 'Anamorphic Illusions'
back in August 2022.

I think he deserves a closer look!
Here are a few more of his amazing creations!" -RQ
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From Demilked:
16 Mind-Bending 3D Art Pieces By Portuguese Graffiti Artist Odeith
All Image credits: odeith
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Sérgio ‘Odeith’ was born in 1976 in Damaia (Portugal).
It was in the mid-1980s when he used a spray can for the first time. He painted some signatures and doodles on his neighborhood walls. But only in the mid-1990s, Sérgio had his first contact with graffiti when some graffiti writers painted outside the neighborhood (Carcavelos), where graffiti had a strong movement.
His first experiments were to paint illegally on the street walls and mostly on the railway lines of the Sintra line.
The passion he has always shown for drawing found a new purpose. His artistic evolution was impressive due to his dedication to painting large-scale murals in Damaia, Carcavelos, and in many poor neighborhoods of Amadora city.

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Sérgio dropped out of school at the age of 15.
Without any school graduation or art lessons, he never gave up,.All of his knowledge about art was entirely self-taught.
After several years of painting street murals with the name “Eith”, it was in 2003 that he created the name “Odeith”.
In 2005, he began his path to international recognition
​as a result of his innovative pieces 
using the anamorphosis technique


Most of Odeith's compositions are painted in 90º corners and flat walls, truly create a 3D optical illusion effect.
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Authentic compositions of huge insects or objects,
​painted in abandoned spaces became viral and stood out for their realism and technique.

Later, in 2008, he closed his tattoo shop (opened in 1999) and moved to London. Currently in Lisbon, Odeith focuses exclusively on studio work and walls.
1 Comment

Re(?)-Visiting: ‘ART IN THE STREETS’ at MOCA, 2011

10/16/2023

0 Comments

 
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This exhibition took place at
The Museum of Contemporary Art,
​ Los Angeles, California
 
​in 2011.

​
Art in the Streets
The first major historical exhibition of graffiti and street art organized by an American museum, surveys the origins and history of the movement in the United States and traces its influence as it spread around the world.
​
“O.K. so... I wasn’t actually there, and I don’t remember paying a whole lot of attention to the ‘Taggerz’ the, and to the ‘Throw-ups’ and the whole ’Self-Abuse-as-Art’ scene at the time… I was busy making money doing super-graphics and other large-scale mural projects that people were actually paying me to paint… but my Crew and the Kidz over in R&D said the show was pretty cool and well worth a visit!
​
So here's a re-visit to the MOCA website, designed to document this now legendary exhibition.”
-RQ
​​
Art in the Streets 
​was the first extensive survey of the history of graffiti and street art to be presented in an American museum.
The exhibition traced the trajectory of street art from TAKI 183 and his Greek American friends in the Washington Heights neighborhood of New York to contemporary innovators like Barry McGee, Banksy, and Swoon who have helped to inspire a new global audience.

​The exhibition attracted the highest attendance in the museum’s history.
​
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Barry McGee, Street, 2011, Mixed media installation
 
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Banksy, Untitled, 2011, Mixed media installation
Art in the Streets
 included works by over one hundred artists from more than twenty cities.
The exhibition took place at the
Museum of Contemporary Art,
​Los Angeles

​
from April 17 to August 8, 2011,
and included a historical timeline documenting the most important developments in street art from the early 1970s to 2011.
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Wild Style mural by ZEPHYR, REVOLT, SHARP, New York, 1983
The show focused on major innovations
such as the invention of Wild Style in New York, 
Chaz Bojórquez and Cholo graffiti in East Los Angeles, and the heritage of Jamie Reid’s punk graphics in London.
​
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Chaz Bojórquez, Tres Placas (Three Tags), 2011, Acrylic paint on wall and Keith Haring car
Several key venues in the history of street art were recreated, including the seminal
​ Fun Gallery and RAMMELLZEE’s entire studio, with his letter racers suspended from the ceiling.

​
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Patti Astor at Keith Haring’s exhibition, FUN Gallery, New York, 1983. Photo: Eric Kroll
An entire wing of the museum was devoted to a new version of the celebrated Street Market, created by Barry McGee, Stephen Powers, and Todd James.
A gallery memorialized the work of
Dash Snow surrounded by works
by his IRAK crew.


The show featured ambitious installations by artists including Os Gemeos, Banksy, Shepard Fairey, RETNA, and  Swoon
and an immense outdoor mural
orchestrated by Lee Quiñones.


Los Angeles legend Mister Cartoon created an installation around his famous ice cream truck, which he spent years customizing and painting.
​
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Mister Cartoon, 1963 International Ice Cream Truck, 1995-2011, Urethane enamel candy paint on truck

​There was an extensive section on the art
that emerged from the Los Angeles surf and skate subcultures,
featuring films by Spike Jonze,
conceptual posters by Craig R Stecyk III,
and an enormous photo collage
by Ed Templeton.


NECK FACE created a frightening trash-strewn and graffiti-scarred alley
where he lay in the gutter dressed as a bum, sometimes terrifying unsuspecting visitors.


Cars customized and painted
by Kenny Scharf,
and ​Keith Haring greeted visitors
at the entrance.
​
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Installation view of Kenny Scharf, Untitled (car), 1981, with FUN Gallery in background and paintings by Lee Quiñones
Artists from around the world were invited to create works for the show including
Stelios Faitakis from Athens,
MISS VAN from Barcelona,
 MODE 2 from Mauritius,
 ROA from Ghent,
and JR from Paris.
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Stelios Faitakis, The Legacy of Decline, 2011, Latex paint, acrylic paint, and spray paint on wood panels
A large section was devoted to Los Angeles artists including REVOK, RISK, and SABER.
PictureView of murals by RISK, REVOK, Mister Cartoon, and Los Angeles artists; "heaven" freeway sign by REVOK above; and painted Chevy car by Mister Cartoon. Photo: Brian Forrest
There were galleries devoted to artist/photographers Gusmano Cesaretti, Martha Cooper, Henry Chalfant,
Estevan Oriol, KR (Craig Costello),
Terry Richardson, and TEEN WITCH,
and filmmakers Bill Daniel 
​and Charlie Ahearn.


A special arrangement was made
for  Banksy and his crew to work late
at night with the security cameras shut off
after all the other artists had left.
He created a show within the show in addition to an outdoor steamroller installation. 
Banksy had agreed to participate in the show on two conditions:
One, that there be at least one day a week of free admission,
and two, that photography would be permitted.
The museum administration initially said no
to both requests, being reluctant to forgo the admissions revenue and wary of the legal complications of allowing open photography.
In 2011, almost all museums still prohibited photography.
In response, Banksy immediately sent the museum a contribution to cover the estimated lost revenue on the free day.
Solving the photography challenge
was more difficult.
Letters had to be written to the copyright owners of every artwork in the show.
All but one of the three hundred fifty rights holders and owners sent back written permission allowing the works to be photographed. 
The results were astonishing.
By the end of the exhibition
 8,500 people were lining up to visit the exhibition on the free Mondays.

Photography in the exhibition became a phenomenon with thousands of images posted online, taking the impact of the exhibition to a different dimension.

In conjunction with the show, large mural paintings were commissioned for the facades of the West Hollywood Public Library
parking garage by Shepard Fairey,
​ RETNA, and Kenny Scharf.

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RETNA, Los espiritus de la calle van a sobrevivir, 2011, Acrylic paint on canvas panels. Photo: Martha Cooper
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https://artinthestreets.org/map
 “The MOCA website also has a really cool interactive map that’s worth checking out. 
​
You can click on the name in the gallery and see a view of that exhibit!”  -RQ
​
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Funny Signs / Woodland Manufacturing

10/9/2023

0 Comments

 
“This is a good follow-up to the ’Sign Painters’ book by
Faythe Levine and Sam Macon. 
I am all about custom, hand painted 2D work, but if your looking for 3D signs,
these are the go-to folks! 
​
They do good work and have a great sense of humor.” -RQ
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​1-800-705-4020
 Hours: M-F
​7:00am - 5:00pm MDT



Mailing Address: 
Woodland Manufacturing,

2835 E. Lanark St. STE 100,
Meridian, ID 83642
https://www.woodlandmanufacturing.com/

"Everyone needs signs.
We streamlined custom sign-making so people can focus on what they do best and look good doing it.
We offer friendly customer service with design skills, experienced artisans in our shop, and attention to detail to help get your custom sign made."

Here are a few posts from their
​Funny Sign Friday Collection!
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“Every Friday, we like to find a funny sign to post on
Facebook and Instagram.

We wanted to keep a collection of funny signs on our website for our employees and customers to enjoy
any day of the week.

We made this page for our Funny Sign Friday features.
Stay tuned as we add more funny signs every month.

Tell us about the funny signs in your area by posting a pic online with the hashtag #funnysignfriday”
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"Sign Painters" by Faythe Levine and Sam Macon

10/2/2023

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“Here’s another one of my favorite books from my Library... ”

"Sign Painters"
by
Faythe Levine and Sam Macon
​

At a time when most American cityscapes are dominated by computer created mass-produced signage,”Sign Painters” takes a close look at the past, present, and hopeful future of the hand painted sign industry in the USA.​
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There was a time - as recently as the 1980s ( “When I began painting... ” -RQ ) when storefronts, murals, banners, barn signs, billboards, and even street signs were all hand-lettered with brush and paint.

But, like many skilled trades, the sign industry has been overrun by the techno-fueled promise of quicker and cheaper.
The resulting proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our visual landscape.

Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade.

In 2010 filmmakers Faythe Levine, co-author of Handmade Nation, and Sam Macon began documenting these dedicated practitioners, their time-honored methods, and their appreciation for quality and craftsmanship. 
​

‘Sign Painters’, the first anecdotal history of the craft, features stories and photographs of more than two dozen sign painters working in cities throughout the United States.
​

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Reviews:
"Every now and again, a book comes my way on a topic that is utterly and completely unexpected. Faythe Levine and Sam Macon's Sign Painters is the sort of artistic celebration that should be commonplace on the shelves.this is graphic design at its best; these signs command attention, enliven the landscape, and bring customers in... good stuff, and damned inspiring." -- Bookslut

"This is not only a wonderful book, a delight to take in, rich and telling in its details and a visual pleasure with its gorgeous photography. It's an important book that captures a largely untold story." -- Milwaukee Journal Sentinel

"Full of stunning full-color shots of finished signs and works-in-progress of folks from San Francisco and Iowa City to Mazeppa and Boston. Even artist Ed Ruscha gets in on the action." -- Fast Company

"With hand-painted signs rapidly going the way of the film camera, documentarians Levine and Macon offer a welcome look at some of the remaining artists and their work, which adorns storefronts, walls and billboards. New Yorker Stephen Powers began as a graffiti artist; Las Vegas painters Mark and Rosie Oatis met in sign school; Ernie Gosnell, in Seattle, learned the trade as a teen from a sign-painting lady wrestler who "tattooed a little bit on the side." It's a toss-up as to what's better - these characters or their art." -- New York Post

"Artist Clark Byers may not be a household name, but if you've lived or traveled in the southeast U.S., you're probably familiar with his work. Byers, whose death in 2004 was commemorated with an obituary in the New York Times, painted the advertising slogan, "See Rock City," on the roofs of more than 900 barns from the late 1930s until the 1960s. Byers' and other artists' signs inspired filmmakers Sam Macon and Faythe Levine's great new book, Sign Painters, an homage to the craft and its craftsmen (and a great gift for the Americana-lover on your holiday shopping list)." -- Reader's Digest

"As lovingly hand made as the signs it celebrates... What comes across clearly is the respect for good work, letter by letter, that helps their clients' businesses succeed. This book captures the renaissance of the sign painter." --- Juxtapoz

"Sign Painters is a great source of inspiration about this often-overlooked industry, and a good reminder to pay a little extra attention while out in the city, on the highway, or wherever. Beautiful hand-painted signs are everywhere." -- Smithsonian.com

"A lovely paean to a vanishing art... Ms. Levine and Mr. Macon have hopscotched the country, interviewing many of the best remaining old-school sign painters and printing their best work... This book, with an introduction by the artist Ed Ruscha, is a funky and necessary work of preservation." -- New York Times


Other Links:

Faythe Levine
My creative practice is not tied down to one medium; it is based on whatever I am passionate about. Over time this has allowed me to accumulate a large, diverse portfolio of work centered on themes of community, DIY, creativity, awareness, process, empowerment and documentation. I aspire to communicate honesty, authenticity and the quality of life through my work. My books and projects aim to be approachable and accessible and my work is exhibited and published in both formal and renegade outlets internationally.

​Sam Macon
Sam Macon is a Milwaukee-born, Chicago-based filmmaker, photographer, and writer. He received his BFA in film from the University of Wisconsin-Milwaukee and directs music videos, commercials, short films, and documentaries.
http://sam-macon.squarespace.com/

[email protected]
http://sam-macon.squarespace.com/



​"Here is where I first heard of the book and documentary...
James Gurney's FANTASTIC art blog!"
-RQ

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SUNDAY, MARCH 10, 2013 
​
Documentary on sign painters​
Roberto said... Thanks for posting this James!
I didn’t start painting seriously until 1980. I tried drafting and calligraphy, but my poor eye-site and large-temperament made it difficult to work on such a small scale. Once I discovered outdoor signs, billboards, and wall-murals I was hooked. It’s a thrill and a challenge to work on a really large scale project, hanging on a tall wall, high above the world, slingin’ paint around with big brushes and painting with your whole body involved.
Early on I hooked up with a Pub-and-Bar developer, traveling around the Western States doing artwork, signs, menus, and carnival/circus style painting with a troop of local artists and sign-painters. What a great way to learn a craft! Collaborating and learning from a wide range of talented artisans.

Being able to knock-out a sign project has also really helped during the lean times of ‘Art’ making.
Your post on Monday, March 4, 2013: 
Documentary about Ornamental Glass Art was likewise inspirational. This is a great example of how a ‘decorative craft’ can be elevated to the level of ‘Fine-Art’.
Thanx for the trip down memory lane.
Keep up the good work. -RQ

March 10, 2013 at 3:56 PM



​
​
Since you have made it this far, you might as well check out sme of the signs I have up on my web site:
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"Computers and vinyl technologies have completely transformed the sign painting industry.
I have always specialized in custom, hand-painted,
one-of-a-kind projects, so advanced technologies 
are not a threat, but rather an opportunity
to apply my craft
in new and exciting ways –
and in doing so 
to better meet my clients' needs." 
​
-Roberto Quintana
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Murals On The Street: Orphans!

9/25/2023

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Many times I come across some really nice mural or hand painted sign out there that I want to share! So that is what 
Murals On The Street
 is all about.

But some times I can’t find a signature or attribution or tag
(at least one I can read or decipher),
These are 
Orphans! So…
If anyone claims their artwork, mural, throw-up, trophy, hand-painted sign, or can give me the attribution of a piece, I will happily post a blog on the artist and showcase their work!
Here's a fun one I found... 
​in Eagle Rock, California!
​
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0 Comments

“Bishop Bakery, 1922” mural by Janet Essley

9/18/2023

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“Bishop Bakery, 1922”
by
Janet Essley
1998 / 8' x 24’

125 North Main Street,
Bishop Art Supply


Since the 1850’s, Basque sheepherders have trailed their flocks in the area. The shepherds taught their time-honored recipe for a thick-crusted, tasty bread to Bob and Louisa Schoch, the owners of the Bishop Bakery. The original “Sheepherders’ Bread from the Pyrenees country was baked in brick ovens and lasted several weeks without spoiling.
Janet Essley’s Murals
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“I enjoy commissioned work for the unexpected artistic journeys and the new friendships to which they lead.  Research for commissions has led me to study topics as diverse as traditional Coptic design and cellular physics.  While painting outdoor murals I have watched the sun rise descend down the peaks of the Sierras, been scolded by Osprey, serenaded with Mexican ballads, and been honored with the stories evoked in passers-by.  Collaboration with sponsors, site owners, and observers is a unique process that joins me to the community in new and exciting ways.
​

I create murals for businesses, mural societies, hospitals and clinics, schools, and for environmental and faith-based organizations.” -Janet Essley,
0 Comments

Last Judgment, Ceiling Mural 1572-9:  Giorgio Vasari / Vincenzo Borghini, / Federico Zuccari

9/4/2023

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When I was researching my post for Giorgio Vasari’s Birthday recently, I came across this interesting article on a ceiling mural collaboration by Giorgio Vasari, Vincenzo Borghini, and Federico Zuccari of the Last Judgement for Brunelleschi’s dome in the Florence cathedral, which had remained unfinished after Brunelleschi’s death in 1446.
The walls of the dome, which should have been covered by resplendent gold according to Brunelleschi project, were whitewashed.(!)
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Last Judgment, 1572-9, Florence: Duomo.
It was the Grand Duke Cosimo I de’ Medici who had the idea to paint the dome’s interior. In 1572, he commissioned Giorgio Vasari to paint frescoes on the dome of the Florence cathedral; Vasari was flanked by Vincenzo Borghini, who worked to the iconographic subjects and added other themes taken from Dante‘s Divine Comedy.

VASARI’s LAYOUT
The closest graphic text to follow was based on the mosaics in the Baptistery, divided into rows placed one on top of the other.
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The Florence Baptistery, also known as the Baptistery of Saint John, the patron saint of Florence.
As a great admirer of Michelangelo, Vasari also drew inspiration from thewww.florenceinferno.com/the-last-judgement-michelangelo/ Last Judgement in the Sistine Chapel. 
As a result, the dome (4,000 square meters) was divided into six concentric rows placed one above the other, inside of which were arranged groups of figures separate from each other due to the division of the dome into eight vertical segments.
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 Last Judgement in the Sistine Chapel.
Giorgio Vasari's​ subjects were carefully matched up along the the dividing lines of rows and segments so that the theological pattern could be followed vertically and horizontally.
Starting from the false central lantern at the top of the dome, surrounded by 24 venerable old men from the Apocalypse, each segment is decorated with the four following themes: an angelic chorus with the instruments of the Passion, a series of Saints and Elect, a triad of figures representing a Gift from the Holy Ghost, and a region of Hell dominated by deadly Sin.
In the eastern segment, opposite the central nave, the four themes become three to make space for the great Christ in Glory placed between the Madonna and St. John above the three Theological Virtues (Faith, Hope, and Charity), and followed under by the allegorical figures of Time and the Triumphant Church.
​

ZUCCARI’s  LAYOUT
Vasari died on June 27, 1574, two months after the death of Cosimo I, when he had carried out only one third of the work. Although he had not completed the drawings for the four segments of the cupola and some sketches for the scenes of Hell, the new Grand Duke Francesco I de’ Medici called upon Federico Zuccari, an artist from Urbino, to complete the work.
Work on the frescoes started again on August 30, 1576.
Zuccari, well known in Roman circles, didn’t like Vasari’s style and tried as much as he could to affirm his own originality.
He stopped using Vasari’s method of “fresco” painting, preferring the “dry” or secco method, which was simpler but more perishable, and he changed the physiques of the painted characters, the costumes, the stylistic language, and the color range.
He boycotted the executive delicacy of Vasari, made of subtle color changes, reflections, polished descriptions of ornaments, which are difficult to pick out at such a distance, opting for a painting method that was weak in quality but of great effect, a technique he learned to use for theatrical backdrops.
He portrayed a lively gallery of contemporary personalities among the Elect: his Medici patrons, the Emperor, the King of France, Vasari, Borghini, Giambologna, other artists, and even himself as well as many of his friends and relatives.
As for the Christ in Glory, for which Vasari had left drawings inspired by Michelangelo’s Sistine Chapel, Zuccari preferred to follow the models used by Raffaello (Raphael), which were more in harmony with the sanctimonious rulings of the Council.
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The Triumph of Galatea (1513) by Raphael, which decorates the walls of the Villa della Farnesina in Rome
However, his masterpiece in the cupola will always be his crude rendering of Hell, with its powerful devils inspired by Luca Signorelli’s frescoes in the cathedral of Orvieto, the shameless bodies of the damned, the violent gestures, and the red glow of blood that vividly brings out the dark colors of the composition to life.
​

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Luca Signorelli’s frescoes in the cathedral of Orvieto,

When he finally completed the frescoes in 1579, having also carried out several other interventions and changes on the parts painted by Vasari, Zuccari celebrated the event by preparing a commemorative medallion. However, this did not spare him from the criticism of the Florentines.
The frescoes in the Cupola have never been popular in the city if compared with their counterparts in the interior of the cathedral: they are extremely difficult to look at because they are so removed from the viewer, placed in a dark spherical vault, and they have become increasingly obscured over the centuries by dirt.
However, these frescoes were scrupulously restored between 1978 and 1985, and it is now possible to re-evaluate them and appreciate the power of the cycle and its importance in Florentine art history.
This enormous space allows for an interesting comparison between two different ways of interpreting art rather than an antagonism between two painters: on the one hand we have Vasari, a “conservative” painter and follower of a Tuscan tradition that had been passed down directly from the Middle Ages; on the other, Zuccari, who “imported” the methods of the Roman painter-contractors to Florence, which were based on a poor executive quality but a grandiose final effect.

​Articles from:

Florence Inferno
Florence Inferno is a blog about the Florentine mysteries, symbols, and places that are mentioned in Dan Brown’s novel Inferno,
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And:
​

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​"​Since you have made it this far…

Here is a link to a few of my modest ceiling murals from my virtual portfolio that I was fortunate to have been commissioned to paint." -RQ


http://www.artandsoulproductions.com/ceiling-murals--domes.html
​
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Murals On The Street!: Ian Schuler

8/28/2023

0 Comments

 
So I’m out in the neighborhood and I see this cool mural at the Porticos Art Space, 2033 E. Washington Blvd., Pasadena, CA
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The mural was painted for the Arroyo Repertory Theatre
by Ian Schuler aka ‘iantheartboy’.
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Arroyo Repertory Theatre Unveils
​Its New Mural

By: A.A. Cristi Sep. 27, 2021

Arroyo Repertory Theatre unveiled its new mural at Porticos Art Space, 2033 E. Washington Ave., Pasadena, CA on September 25, 2021.
Pasadena-born artist Ian Schuler painted the mural.

The mural includes depictions of performing singers as well as roses and peacocks (for which the area is well-known).
​
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"I like what Ian did with the awning!"  -RQ
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Whatever you are doing.
​Make it good.


It all begins with an idea. The art unfolds, warps, expands,
and changes through the process of creation.
These changes are what inspire and excite Ian Schuler the most. He uses art as a nexus to a connection to nature and the universe in which we live.
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       ...to The Mural Blog:

    ‘Duit-On-Mon
    -Dai-Luna-Prime’

        Roberto has been pestering the ‘Marketing’ staff here at Art and Soul for some time now to get together with ‘Research and Development’ to come up with a fun way for him to share all the great work out there of all the many other talented muralists and artists he's been "influenced by" over the years. ‘Sales’ was totally against the idea! ("How could that possibly improve the bottom-line?!"). ‘Marketing’ remains split, as usual ("We need more data"). ‘R&D’ thought it might be a fun way to "show off a little", and to showcase all those great ideas they keep finding out there on the internet. ‘HR’ said it might be a good way to keep 'The Crew' distracted ("Since they are all so bored since Covid hit, and Roberto is spending more and more time in his studio working on all those silly little easel paintings").
    'The Crew' said: ’'Sure, We've got nothing else going on …but only if we get to share stuff about technique, materials, and equipment." ‘Receivables’ said: "It obviously won’t make more work for us, so why not!". 'Legal' said: "No Way! You are NOT going to reveal where you steal all your ideas from!" (Although Roberto values their legal advice, He rarely listen’s  to their hysterics anyway). So... here we are! Welcome!
    ​

    ‘Duit-On-Mon-Dai-
    Luna-Prime’
    ​     "As the title implies, I will post once a Month (on the first  Monday, more or less). Feel free to leave a family friendly comment. Dialogue and praise is encouraged. Creativity, passion and wonder should be expected. Politics and personal grievances hopefully kept to private emails. And please… no Whining! and no sales pitches either (you can make your own damn blog for that).
       I expect to start becoming a little more savvy with all this social media stuff, but for now ‘Bookmark’ my website and check back every once in a while. I hope you will find it interesting. Don’t be too persnickety over my whimsical spelling and creative punctuations either, my
    Editorial Department is not what it used to be… I am seriously understaffed these days."   
     Peace and Love...
    ​     -Roberto Quintana, WFA

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Permission Statement: The contents of this web site are protected under copyright and other intellectual property laws. All images and text on this web site are copyright 1980-2021 Roberto Quintana dba Art & Soul Productions and/or their respective owners. All of the artwork on this web site has been hand-painted and/or designed by Roberto Quintana, one of his talented associates, or provided by an affiliate or a client. No portion of this web site may be reproduced, duplicated, copied, sold, resold, or otherwise exploited without the express written consent of Roberto Quintana. Any artwork on this web site that resembles your wonderful and precious artwork is purely accidental, and a huge coincidence, really. Oh, and any representation or likeness to anyone famous, living or otherwise, is most likely also an accident. Every effort has been made to give credit where it is due to clients, associates, and affiliates. If I have left you out please contact the studio, let's get this straightened out right away! Students and teachers may quote images or text for their non-commercial school activities. You also have my permission to quote images or text on your non-commercial blog, website, or Facebook page as long as you notify me by e-mail, give credit on your site, and provide a link back to this web site. For use of text or images in traditional, or non-traditional print media, or for commercial licensing rights, please e-mail the studio for permissions.